EM WEB CLIPS
A collection of audio, MIDI, and video files; product-specific custom programs; and other materials that provide practical examples of techniques and products discussed in Electronic Musician.
Web Clip 3: In the first 16 bars of this arpeggiator-triggered clip, a new step is added to the step sequence every 2 bars. In the next 16 bars, the arpeggiator rate and style are changed at 2-bar intervals.
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Web Clip 2: In this clip the MIDI percussion sequence has its pitches altered to trigger two step-sequencers, one of which plays the bass and the other, the synth lead.
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Web Clip 3: This example features a Gibson Les Paul into a Mesa Boogie MK IV head. The amp's direct out is patched to my MW1 preamp then into the Digidesign Eleven modeling plug-in, with split stereo 4X12 cabinets. Eleven’s heads were bypassed, so the Boogie did the ‘dirty’ work. Note that there is a SoundToys EchoBoy DDL and an impulse response of a spring reverb from AudioEase Altiverb on the guitars, as well.
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Web Clip 2: In this example of a dual amp setup, I played a Fender Jaguar Bartione through both a Gibson 1962 Falcon amp and a Magnatone M10A amp, in stereo, which gives an almost natural chorus effect due to the differences in the amp tones. Each amp has only one mic, the Royer 121 on the Gibson and an SM57 on the Magnatone. The signals from the two amps are panned hard left and right to widen the image. Again, no absorbers are in front of the amps, although this was recorded in the amp closet.
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Web Clip 1: The guitar parts in this example were recorded using a Fender Tele into a Gibson 1962 Falcon amp. The slightly dirty rhythm track has vibrato on it. There is a single Royer 121 ribbon mic on the amp, and the reverb is the Gibson's spring. There's no blanket in front of the mic/amp, just the closet. The heavy Tele part is using additional plug-in based distortion on top of the amp sound, to give it some extra drive.
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Web Clip 3: This clip features the Male Choir Ohhs instrument from the Man: Choirs category. I've replaced the Kontakt effects with external effects.
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Web Clip 2: In this snippet from "Help Me (Jove, In Pity)," you can hear Kiesewalter's big-sounding stereo electric piano, which consisted of a Wurlitzer through a Fender Vibro Champ mixed to one side, and a double through Digidesign's Velvet plug-in, mixed to the other side.
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This MP3 file was created entirely in Orion (although I did load it into a stereo audio editor to create the fade-in and fade-out). The song uses the sample-based drum machine, and several instances of the Toxic III FM synth.
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Here I've used all the techniques described in the article, using Atomic to play the mini-modular synthesizer BC16 from Chimera Synthesis (chimerasynthesis.com)....
From Electronic Musician: Hear Web Clips, audio clips, audio examples, PDFs, and other downloads outlined in the October 2008 issue of the magazine.
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From Electronic Musician: Hear Web Clips, audio clips, audio examples, PDFs, and other downloads outlined in the August 2008 issue of the magazine. ...
Web Clip 1: A Studio Visit with Victor Wooten
