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Trouble in Paradise 

Learn about installing Vienna Instruments Symphonic Cube in this online-only article from Electronic Musician. ...

Out of the Box  

Learn the details on how to record the various elements on Gomez’s How We Operate...

Talent in the Raw, Continued 

Learn how to improve the overall voiceover performance of new talent....

Once More with Feeling 

Recording effective and compelling educational or technical copy requires that your v/o talent has at least a basic understanding of what it is he or she is voicing. Read how to record voiceovers for educational or technical copy....

To Have and Have Not 

Provide these basic needs and learn how to save time editing your audio....

Mastering Cubase 4
Personal Studio Series
 

Learn How to Master Steinberg's Cubase 4 with this single-issue magazine featuring a bonus DVD. Mastering Cubase 4 will focus on getting up to speed quickly with tutorials on Steinberg's powerful cross-platform digital audio sequencer. ...

The Rite of Strings 

By Marty Cutler

It's quite an awe-inspiring experience to pick up a guitar and play sounds that could never come from a guitar alone. The convergence of guitar, synthesizer,...

Copyrights and Wrongs 

By Fran Vincent

As an artist, your creative works are the lifeline of your business. By protecting them through copyright registration, you can control how they're used...

Bring 'Em Back Alive 

By Rusty Cutchin

Bring ‘em Back Alive reveals tips and techniques from recording professionals on the best strategies for making live recordings of bands or solo artists, either onstage or in the studio....

All Together Now 

By Jim Aikin

In the late 1980s, sample-based synthesis was the premier technology that keyboardists used to produce a wide range of realistic sounds. Today, the synthesist...

Venus Hum Goes Organic 

By Heather Johnson

For Venus Hum's third full-length release, The Colors in the Wheel (Nettwerk/Mono-Fi, 2006), the electronic-pop trio eschewed synthesizers in favor of...

Rigged Up 

By Len Sasso

Using guitar amps, cabinets, and stompboxes to process instruments ranging from horns to acoustic and electric keyboards has a long history onstage and...

Golden Gates 

By Eli Krantzberg

Noise gates are among the oldest audio-production tools. They mute a signal falling below a certain level, called the threshold, to remove unwanted noise....

Direct Results 

By Mike Levine

Electronic Musician’s feature on direct guitar recording looks at DI options, modeling processors and plug-ins, strategies for getting the best sound, and more....

SIX-STRING STRATEGIES 

By Michael Cooper

Read the Electronic Musician interview with four top engineers to learn their approach to recording acoustic guitar. Recording engineers talk about how they pursue the perfect acoustic guitar sound....

Monitoring for Success 

By Charles Dye

Electronic Musician’s feature, written by Grammy-winning engineer Charles Dye, on better monitoring strategies. Gear, speaker placement, and advice for keeping perspective are all includedas you learn how to use monitoring techniques for a better mix....

The Low Road 

By Steve Skinner

The three ingredients that are essential for creating a convincing synthesized-bass part are programming, playing, and mixing. I describe how to program...

Synth Bass-ics 

By Steve Skinner

The key to programming convincing synth-bass sounds is simplicity. I use one oscillator with a medium-width pulse wave and a lowpass filter whose envelope...

Get Real 

By Jim Aikin

Until the late 1970s, synthesizers were used primarily to create new and unusual types of sounds. But by 1980, keyboard players were clamoring for synths...

WAVES GTR 2.0 (Mac/Win) 

By Orren Merton

Electronic Musician’s review of Waves GTR 2.0, a Guitar plug-in suite. Waves GTR 2.0, a hardware/software bundle for guitar recording includes hardware/software guitar amp-, cabinet-, and effects-modeling system....

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