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Electronic Musician »
Tutorials
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May 1, 2008,
By Len Sasso
The Drum Rack instrument is one of Ableton Live 7's most interesting new features, and its creative potential is enormous. You can build a virtual drum...
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May 1, 2008,
By Jon Chappell
Is your studio contributing to global warming and other environmental problems? Unfortunately, the answer is almost certainly yes. Between the electrical...
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May 1, 2008,
By Steve Skinner
Live drums, no matter how well played, have variations in timing and feel. If you want a drum loop to work with a live drum track and you want to avoid...
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May 1, 2008,
By Jim Aikin
Sometimes a sampled beat sounds perfect just the way it is. But a little creative patching can transform it into something wildly new. You can adapt the...
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May 1, 2008,
By Jim Aikin
Until around a hundred years ago, the only way to send music over long distances or preserve it for posterity was to write it down on paper. Electronic...
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May 1, 2008,
By Tracy Katz
Traditional instrumentalists, especially guitar players, should add the video tutorials at iVideosongs (ivideosongs.com) to their arsenal of musical resources....
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May 1, 2008,
By David Battino
Spectrasonics Stylus RMX serves up great-sounding drum grooves as fast as you can click, but it also has several hidden time-saving features: 1. Right-clicking...
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Apr 1, 2008,
By Michael Cooper
Perhaps the most common career-oriented question that unsigned songwriters ask is, How can I get my songs published? Many of these same writers have only...
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Apr 1, 2008,
By Rusty Cutchin
Musicians often have their hands full dealing with audio in their studios, but a new generation of low-cost tools may make adding basic video-editing...
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Apr 1, 2008,
By Steve Skinner
You can craft interesting quasi-random bass lines from drum loops with the aid of a full-featured filter plug-in such as Sound Toys Filter Freak (see...
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Apr 1, 2008,
By Dennis Miller
Lurking inside your computer are dozens, perhaps even hundreds, of unique sound effects. No, I'm not referring to some random sample libraries that have...
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Apr 1, 2008,
By Jim Aikin
Propulsive rhythms are a cornerstone of pop music, so it's no surprise that today's music tools offer a variety of ways to build rhythm loops. If loading...
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Apr 1, 2008,
By David Battino
Incorporating long-distance interviews is a great way to add spice to your Podcasts, but telephone audio quality is horrendous. Here's an old radio trick...
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Apr 1, 2008,
By Tracy Katz
Have you ever made a noise unintentionally and found the sound so pleasing that you did it again for the sake of recording it? Or maybe you're a hard-core...
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Apr 1, 2008,
By Tracy Katz
Community seems to be the keyword in recent music-promotion trends. In an effort to keep music alive, many bands and artists are giving listeners the...
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Mar 12, 2008,
By Michael Cooper
Starting a music publishing company isn't rocket science, but it requires a lot of work. In Self Control, we show you how to begin and maintain your own publishing company....
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Mar 12, 2008,
By Dennis Miller
Convolution is a powerful technique that multiplies the spectra of two files—one called the source (or “carrier”) and the other called the impulse response (IR)—to produce a vast range of effects....
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Mar 3, 2008,
By Gino Robair
No one likes deceptive advertising. I personally find it infuriating—as an editor and as a consumer—when a manufacturer plays games with pricing for a product that I’m interested in. ...
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Mar 3, 2008,
By Gino Robair
Electronic Musician has grown a lot since it evolved from Polyphony 22 years ago, and as the fifth man in the hot seat, I have plans to take it to greater heights without losing sight of its DIY music-production roots. But before I share my editorial vision, I want to tell you what’s in store in the near future.
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Mar 3, 2008,
By Gino Robair
If you are a regular visitor to emusician.com, you’ve probably noticed that some of our articles are now accessible only with a paid registration. In early August we launched an exciting new premium-content site called Audio Insider (AI). ...
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