|
|
You are here:
Electronic Musician »
Tutorials
|
Dec 1, 2008,
By Bob Hodas
Read Bob Hodas' Three Common Mistakes in Home Studio Setups in the December 2008 issue of Electronic Musician...
|
|
Nov 25, 2008
HowAudio.com has added Ableton Live 7 to its arsenal of video tutorials....
|
|
Nov 1, 2008,
By Tim Conrardy
Although it might be easy to draw a few notes in the piano-roll editor on your favorite DAW, better step-sequencing tools are now available as VST plug-ins. They're fun to use and their retro approach leads to more authentic results...
|
|
Nov 1, 2008,
By Len Sasso
Although Ableton Live 7's MIDI effects collection does not include a step sequencer, it has all the ingredients for building one in a MIDI Effect Rack. Here's how...
|
|
Nov 1, 2008,
By Mark Ballora
OSC is a protocol that controls networked sound modules and multimedia devices. Typically, OSC is transmitted between devices via Ethernet cables, which are more commonly used to connect computers to the Internet, although in a simple configuration one piece of software can control another on the same computer...
|
|
Nov 1, 2008,
By Rich Tozzoil
Electronic Musician's feature on capturing great electric guitar tones in an apartment or small studio. A look at miking techniques, multiamp setups, controlling acoustics, and more...
|
|
Oct 15, 2008
MusicWorks Interactive has released the Finale 2008-2009 Tutorial DVD-Level 1....
|
|
Oct 2, 2008
ASK Video Interactive Media is shipping the Logic Pro 8 Level 2 DVD....
|
|
Oct 2, 2008
eMedia Music has announced the Guitar Master CD-ROM....
|
|
Oct 1, 2008,
By Brian Smithers
The current trend in mobile storage is eSATA, the external version of the SATA (Serial AT Attachment) standard. As the name suggests, this standard is related to the ATA/IDE specification under which most internal drives have operated since the late 1980s. SATA drives are increasingly popular in PCs and have been standard in Mac desktops since the first G5s...
|
|
Oct 1, 2008,
By Mike Levine
Electronic Musician offers tips and advice on reamping guitars, bass, drums, keyboards, and more, from a panel of top producers, engineers and musicians...
|
|
Oct 1, 2008,
By Len Sasso
Capture many takes of a randomly changing process, combine them in a multisampled instrument, and then create a composite track using the best ones...
|
|
Oct 1, 2008,
By Brian Smithers
Author Brian Smithers you how to adapt M-S principles to control stereo width, ensure mono compatibility, and explore new ground in effects processing....
|
|
Sep 1, 2008,
By Brian Smithers
Read EM September 2008 Square One column on using Ethernet and OSC to improve your MIDI audio production workflow...
|
|
Sep 1, 2008,
By Michael Cooper
MOTU Digital Performer separates itself from the pack with its standout pitch-automation functionality. A little-known but invaluable application is nondestructive rearranging of musical parts in an audio track...
|
|
Sep 1, 2008,
By Len Sasso
Layering real-world sounds with synthesized drum parts puts a new spin on your drum tracks. Industrial, household, military, transportation, and vocal sounds make excellent fodder...
|
|
Sep 1, 2008,
By Larry the O
“Mastering with Peak Performance” presents a master class on mastering with the Mac audio editor Peak Pro 6, with a special focus on optimizing use of the Playlist...
|
|
Aug 1, 2008,
By Steve Skinner
When Vienna Instruments introduced the affordable version of its Vienna Symphonic Library (VSL), Vienna Special Edition (VSE), which is Digidesign Pro...
|
|
Aug 1, 2008,
By Len Sasso
In the world of virtual instruments, a physical-modeled electric piano is as close as you get to the real thing. The premier examples of this type of...
|
|
Aug 1, 2008,
By Brian Smithers
Is the saying goes, stuff happens. No matter how hard we try to avoid it, a steady chain of events works to degrade every recording we make (see Fig....
|
|