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Electronic Musician »
Tutorials
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Mar 1, 2002,
By David Battino
Unless you're cranking out recordings the length of Beethoven's Ninth Symphony, you probably have a lot of wasted space on your CDs. Fortunately, it's...
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Feb 1, 2002,
By Eric Leach
I've seen your living room: your rig, which started out as a 4-track cassette recorder and a DX-7, now has engulfed the entire room, expanding like some...
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Feb 1, 2002,
Larry the O
Use your mixer as a control surface, too... most digital mixers on the market (and even a few analog mixers) allow you to do that to one degree or another through MIDI....
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Feb 1, 2002,
Michael Cooper
Whether you record and mix with hardware consoles or operate in the virtual world of the digital audio workstation (DAW), you need to know the various...
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Feb 1, 2002,
By Todd Souvignier
Giving away music is a timeless promotional strategy. But when you give away a song, shouldn't you get something in return? This article will show you...
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Feb 1, 2002,
By Jeffrey P. Fisher
When you call a company and are placed on hold, you typically hear music, a radio station, or a promotional message for the company. Ask yourself: who...
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Jan 1, 2002,
By Brian Knave
Although the harmonica can be played sweetly, it's not intrinsically a sweet-sounding instrument. Rather, it ranks high on the list of potentially annoying...
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Jan 1, 2002,
By Michael A. Aczon
From its humble beginnings with pianists accompanying silent movies to the platinum-selling soundtracks for today's films and television shows, the union...
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Jan 1, 2002,
BY ZACK PRICE
Anyone who has played Tascam's GigaSampler or GigaStudio (originally developed by NemeSys Music Technology) readily understands why it is rapidly becoming...
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Jan 1, 2002,
By Michael Cooper
They say nothing succeeds like success......
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Dec 1, 2001,
By Scott Wilkinson
A microphone's job is simple: it converts an acoustic sound into an electrical signal that corresponds to the original waveform as closely as possible....
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Nov 1, 2001,
By Michael Cooper
Learn how to tune your studio's control room for flatter frequency response....
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Nov 1, 2001,
By Michael Cooper
In 1980, James Demeter was thumbing through a tube-electronics book when he stumbled upon the schematic for a cathode follower circuit. That circuit would...
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Nov 1, 2001,
By Alan Gary Campbell
You have the band's home page up. The counter works. You've even sold some CDs. You're about to breathe a sigh of relief, but then you sense them coming:...
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Oct 1, 2001,
By Mike Sokol
So you've bitten the proverbial bullet and installed a mixer or workstation software application with surround panners, set up a 5.1 monitoring system,...
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Sep 1, 2001,
by Eric and Haren Bell
It's time to deliver your music to that huge online audience you know is out there...in cyberspace....
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Sep 1, 2001,
By Myles Boisen
In a perfect world, every device in your studio racks would integrate seamlessly with its neighbors, your levels would always be hot without a hint of...
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Sep 1, 2001,
Peter Hamlin
Posting audio on your Web site involves three easy steps. First, create the sound file in an appropriate format. Next, transfer that audio file to your...
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Aug 1, 2001,
By Myles Boisen with Cary Sheldon
For some engineers, all it takes is a glimpse of vocal session, 3 p.m. on the day's studio calendar to make their shoulders tighten and skin turn red....
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Aug 1, 2001,
By Michael Cooper
Although the MPX 500 and, to a much lesser extent, the MPX 100 let you edit parameters to dial in custom effects, trailblazing beyond presets can be difficult because of an almost complete lack of documentation about those parameters....
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Microphonic Machinations