|
|
You are here:
Electronic Musician »
Tutorials
|
Nov 1, 2002,
By Jeffrey P. Fisher
Surefire post-production techniques that harness this software's powerful features....
|
|
Nov 1, 2002
Getting Started with EQ Plug-Ins The EM Cool Tip of the Month is presented courtesy of Cool Breeze Systems. You recently bought a new DAW and laid down...
|
|
Nov 1, 2002,
By Brian Smithers
How to deal with noise pollution in your computer-based studio....
|
|
Oct 1, 2002,
By Gary S. Hall
Desktop musicians from all corners of the world are joining forces, thanks to the Internet....
|
|
Oct 1, 2002,
By Len Sasso
Most synthesizers and samplers these days come with hundreds of preset sounds. When combined with the vast number of user-created preset banks floating...
|
|
Oct 1, 2002
Automating Virtual Instrument Parameters in Logic The EM Cool Tip of the Month is presented courtesy of Cool Breeze Systems. In today's audio-production...
|
|
Sep 1, 2002
Using MIDI Patchnames within Cubase is great, but scrolling through 100 or more patches to select your favorite tuba preset can quickly get tedious. Here's...
|
|
Sep 1, 2002,
By Zack Price
Congratulations you've just bought a brand-new computer! In your enthusiasm over your latest purchase, however, you probably haven't considered what to...
|
|
Sep 1, 2002,
Marty Cutler and Erik Hawkins
Creating great-sounding, grooving drum tracks in a personal studio can be a difficult undertaking. Hiring a professional session drummer is expensive...
|
|
Aug 1, 2002,
By Michael Cooper
A big, deep bottom end is a key mix ingredient in today's hit records. True, some types of music folk, for example wouldn't sound right with gargantuan...
|
|
Aug 1, 2002,
Randy Neiman
How to go about getting a great studio headphone mix, which can drastically affect a musician's performance....
|
|
Aug 1, 2002,
By Peter Miller with Paul Howard
Over the past 15 years, many fundamental music-technology concepts have been explained in our Service Clinic and Square One columns. (The latter was originally...
|
|
Jul 1, 2002,
By Richard Alan Salz
Although bass drum is rarely the defining element of a song, quite a few classic hits just wouldn't be the same if they had a different kick sound. Try...
|
|
Jul 1, 2002,
By Brian Smithers
Admit it: you're power-mad! No matter how zippy your computer is, you're always looking for ways to squeeze a few extra tracks or plug-in effects out...
|
|
Jul 1, 2002
featuring the Cool Tip of the Month: Setting Up a Cue Mix in Pro Tools...
|
|
Jul 1, 2002,
Steve O
This article describes how to go about building a home studio, on a variety of budgets. Includes specific product recommendations. From the editors of Electronic Musician magazine....
|
|
Jun 1, 2002,
By Gary S. Hall
In the early 1980s, I had the pleasure of conceiving and designing a true classic, the Lexicon PCM42 digital delay. At that time, I was interested in...
|
|
Jun 1, 2002,
By Jeffrey P. Fisher
Take a look around your project studio at all the equipment you have accumulated. Are you tired of spending money on gear and ready to make money with...
|
|
May 1, 2002,
Marty Cutler
Exploring the sonic possibilities of MIDI sequencing, and how to learn to get the most out of your MIDI tracks....
|
|
May 1, 2002,
By Hayden Porter
Because of the ubiquitous presence of Macromedia Flash on the Web, many desktop musicians are interested in composing soundtracks for Flash movies. However,...
|
|
Sound Programming 101
How to Solder a Bad Connection