|
|
You are here:
Electronic Musician »
Tutorials
|
Aug 1, 2002,
Randy Neiman
How to go about getting a great studio headphone mix, which can drastically affect a musician's performance....
|
|
Aug 1, 2002,
By Peter Miller with Paul Howard
Over the past 15 years, many fundamental music-technology concepts have been explained in our Service Clinic and Square One columns. (The latter was originally...
|
|
Jul 1, 2002,
By Richard Alan Salz
Although bass drum is rarely the defining element of a song, quite a few classic hits just wouldn't be the same if they had a different kick sound. Try...
|
|
Jul 1, 2002,
By Brian Smithers
Admit it: you're power-mad! No matter how zippy your computer is, you're always looking for ways to squeeze a few extra tracks or plug-in effects out...
|
|
Jul 1, 2002
featuring the Cool Tip of the Month: Setting Up a Cue Mix in Pro Tools...
|
|
Jul 1, 2002,
Steve O
This article describes how to go about building a home studio, on a variety of budgets. Includes specific product recommendations. From the editors of Electronic Musician magazine....
|
|
Jun 1, 2002,
By Gary S. Hall
In the early 1980s, I had the pleasure of conceiving and designing a true classic, the Lexicon PCM42 digital delay. At that time, I was interested in...
|
|
Jun 1, 2002,
By Jeffrey P. Fisher
Take a look around your project studio at all the equipment you have accumulated. Are you tired of spending money on gear and ready to make money with...
|
|
May 1, 2002,
Marty Cutler
Exploring the sonic possibilities of MIDI sequencing, and how to learn to get the most out of your MIDI tracks....
|
|
May 1, 2002,
By Hayden Porter
Because of the ubiquitous presence of Macromedia Flash on the Web, many desktop musicians are interested in composing soundtracks for Flash movies. However,...
|
|
May 1, 2002,
By Markkus Rovito
The days of the demo tape are finished. CDs have taken over as the preferred demo- and DIY-album format, and producing them is easier and cheaper than...
|
|
Apr 1, 2002,
By Michael Cooper
The best musicians spend years mastering their instruments and perfecting their composition chops. But that's often not enough to guarantee success in...
|
|
Apr 1, 2002,
Todd Souvignier
A musician's introduction to the exciting and sometimes terrifying world of Internet broadcasting....
|
|
Apr 1, 2002,
By Gary S. Hall
Audio- (as well as video-) data reduction, also known as data compression, is one of the most important media technologies to come along in recent years....
|
|
Apr 1, 2002,
By Brian Smithers
At the heart of any good audio education is the study of signal flow and wiring: get your inputs and outputs straight, and you can adapt to just about...
|
|
Apr 1, 2002,
By Michael Cooper
You've just finished producing a killer demo. You're certain it will kick start your career, if only you can get the right people to hear it. But how...
|
|
Mar 1, 2002,
David Roach
Say you've just purchased or inherited a PC that you want to dedicate to audio and music production, but the computer came with all kinds of software already installed on it. You're hesitant to get rid of too much, and you're not sure what you can do without or whether any of that extra software will conflict with your musical needs. Well, don't just stand there! It's time to tune up Windows for music and audio....
|
|
Mar 1, 2002,
By Michael A. Aczon
If you use samples when writing or producing songs, one of the biggest favors you can do for your career is to understand the legal and business issues...
|
|
Mar 1, 2002,
By Gary S. Hall
The CD has evolved as a medium for data storage and for entertainment, but it can never fully escape its roots. That accounts in large part for the different, and at times quirky, ways that CD-Rs behave....
|
|
Mar 1, 2002,
By Randy Neiman
Once you've mastered the arcane science of signal routing, learned the ancient secrets of gain structure, and been initiated into the mysterious ways...
|
|
How to Solder a Bad Connection