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Electronic Musician »
Tutorials
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May 1, 2005,
By Mike Levine
In the recording studio, time has always been the enemy. In commercial studios, the ever-present ticking clock motivates musicians, producers, and engineers...
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May 1, 2005,
By Maureen Droney
Producer and engineer Matt Wallace isn't one to waste time; he thinks fast, talks fast, and moves fast. One result of this seemingly boundless energy...
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May 1, 2005,
By Jim Aikin
When it comes to editing MIDI tracks, logical edit utilities are often used as a last resort. Because logical edit utilities are harder to understand...
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May 1, 2005,
By rachMiel
Microsurgical editing can enhance the musicality and groove quotient of your loops. All you need is an audio editor with a few standard effects (EQ, filtering,...
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Apr 1, 2005,
By Orren Merton
When you see an audio plug-in running on a computer, it's natural to assume that the processing is being handled by the computer. The digital signal processing...
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Apr 1, 2005,
By Gino Robair
Digidesign Pro Tools has an extensive feature set that may seem endless to everyone except the most experienced user. But even power users might not know...
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Apr 1, 2005,
By Rusty Cutchin
Now that musicians can find a loop to fit any style, and have access to programs that can break down loops to their component parts for endless manipulation,...
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Apr 1, 2005,
By Mark Ballora
Have you ever wondered what's under the hood of your digital audio sequencer? Your favorite program more than likely has hundreds of thousands of lines...
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Apr 1, 2005,
By John Duesenberry
Convolution reverb imposes the characteristics of a real-world reverberant space on an input signal. To create convolution reverb, an impulse response...
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Apr 1, 2005,
By Lory Kohn
Most project studios have the firepower to produce radio-ready tracks. But why is it that some studios stay consistently booked while others stagnate?...
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Apr 1, 2005,
By Kurt Heiden
SoundFonts are like a gift that keeps on giving. For commercially-minded musicians, SoundFonts can open the door to a potential market of millions through...
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Feb 1, 2005,
By Nick Peck
The art of composing music for picture has a rich heritage, dating back to the very beginnings of cinema. One could easily argue that its roots date back...
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Feb 1, 2005,
By Babz
MOTU's Digital Performer (DP) provides a variety of tools for aligning the tempo of a sequence with the tempo of recorded audio. You can make the sequence's...
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Feb 1, 2005,
By Len Sasso
Frequency shifting is a great way to add color and motion to almost any percussion sound. For this article, I've used the Bode Frequency Shifter module...
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Feb 1, 2005,
By Jim Aiken
Vintage synthesizers such as the Minimoog are prized more than other synths because of the distinctive sound of their filters. In fact, the filter is...
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Feb 1, 2005,
By Jeffrey P. Fisher
Do you want to get your music in front of more people and earn more money in the process? Even if you feel you know the ins and outs of your craft, it...
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Feb 1, 2005,
By Myles Boisen
Mastering has often been a job for highly trained and expensive professionals hired by major labels for major artists. Today almost anyone can attempt...
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Feb 1, 2005,
By Orren Merton
After its introduction in 1998, Line 6's Pod probably did more to popularize the concept of digital guitar-amp modeling than any other product. But another...
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Jan 1, 2005,
By Paul Tingen
John Frusciante is a man of extremes. At the tender age of 33, he's already experienced the best and worst that life has to offer. The former refers to...
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Jan 1, 2005,
By David Phillips
You've recorded and mixed your songs to perfection. As the saying goes, they are in the can and are ready for public consumption. With a little ambition...
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