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Finders Keepers 

By Nick Peck

Managing a large sound-effects collection can be a lot of work, but with the proper preparation and organization, you can save yourself a lot of time and aggravation. We’ll show you how to get your personal studio in order and create an efficient and manageable sound-effects library....

Swimming in the Air 

Olivia Mattis

Lydia Kavina's fundamentals of theremin technique. from EM archives - July 1999 The theremin is currently enjoying a resurgence in popularity. However,...

Field Composer 

By Erik Hawkins

Until very recently, if you wanted to use the recording and composing tools found in your home studio, you needed to be at home. The idea that you could...

Master Class: Going Live 

Len Sasso

In live performance, Ableton Live 1.5 is far more versatile than first meets the eye......

Master Class: Viva Vegas Video 

By Jeffrey P. Fisher

Surefire post-production techniques that harness this software's powerful features....

Cool Tip of the Month 

Getting Started with EQ Plug-Ins The EM Cool Tip of the Month is presented courtesy of Cool Breeze Systems. You recently bought a new DAW and laid down...

The Sound of Silence 

By Brian Smithers

How to deal with noise pollution in your computer-based studio....

Bands Without Borders 

By Gary S. Hall

Desktop musicians from all corners of the world are joining forces, thanks to the Internet....

Sound Programming 101 

By Len Sasso

Most synthesizers and samplers these days come with hundreds of preset sounds. When combined with the vast number of user-created preset banks floating...

Cool Tip of the Month 

Automating Virtual Instrument Parameters in Logic The EM Cool Tip of the Month is presented courtesy of Cool Breeze Systems. In today's audio-production...

Cool Tip Of The Month 

Using MIDI Patchnames within Cubase is great, but scrolling through 100 or more patches to select your favorite tuba preset can quickly get tedious. Here's...

CPU Recycling Tutorial 

By Zack Price

Congratulations you've just bought a brand-new computer! In your enthusiasm over your latest purchase, however, you probably haven't considered what to...

Drum Libraries 101 - What You Need to Know 

Marty Cutler and Erik Hawkins

Creating great-sounding, grooving drum tracks in a personal studio can be a difficult undertaking. Hiring a professional session drummer is expensive...

How to Get Great Bottom End In Your Mix 

By Michael Cooper

A big, deep bottom end is a key mix ingredient in today's hit records. True, some types of music folk, for example wouldn't sound right with gargantuan...

In the Cans 

Randy Neiman

How to go about getting a great studio headphone mix, which can drastically affect a musician's performance....

How to Solder a Bad Connection 

By Peter Miller with Paul Howard

Over the past 15 years, many fundamental music-technology concepts have been explained in our Service Clinic and Square One columns. (The latter was originally...

How to Build a Personal Studio on Any Budget 

Steve O

This article describes how to go about building a home studio, on a variety of budgets. Includes specific product recommendations. From the editors of Electronic Musician magazine....

How to Record a Kick Drum 

By Richard Alan Salz

Although bass drum is rarely the defining element of a song, quite a few classic hits just wouldn't be the same if they had a different kick sound. Try...

Tips 

featuring the Cool Tip of the Month: Setting Up a Cue Mix in Pro Tools...

Snappy Chips 

By Brian Smithers

Admit it: you're power-mad! No matter how zippy your computer is, you're always looking for ways to squeeze a few extra tracks or plug-in effects out...

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