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Electronic Musician »
Tutorials
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Sep 1, 2005,
By Eli Krantzberg
In Sound Design Workshop: Off the Wall (see the August 2005 issue of EM), I discussed some of the creative possibilities of slicing, displacing, and offsetting...
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Sep 1, 2005,
By Jim Aikin
Musicians are forever looking for ways to improve the sounds that they create. Many of the methods they use fall under the heading of which can be free-standing...
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Sep 1, 2005,
By Strother Bullins
The idea of useless knowledge is inherently erroneous. I am a proud purveyor of details of limited purpose, like the release dates of classic albums or...
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Sep 1, 2005,
By Paul Tingen
John Medeski has been known to make strong snap judgments. Imagine this: as a child prodigy, he was groomed to become one of the country's leading concert...
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Sep 1, 2005,
By Rusty Cutchin
Audio enthusiasts have been touting surround sound as the next big thing in audio for several years now. Further, the DVD revolution and video gaming...
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Sep 1, 2005,
By Dave Darlington
Many of us often find ourselves mixing in the box using plug-ins in place of analog processors and pushing a mouse instead of riding faders. As a result,...
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Jul 1, 2005,
By Mike Levine
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Jul 1, 2005,
By the EM Staff
EM editors specify the products that they would buy for their personal dream studios....
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Jul 1, 2005,
By Brian Knave
Life is sweet for Mrcio Victor. At age 25, the heavy-hitting Brazilian percussionist has already worked with some of that country's biggest music stars,...
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Jul 1, 2005,
By Geary Yelton
Musicians and audio engineers have a rich history of buying and selling used instruments and equipment. Historically, such transactions have taken place...
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Jul 1, 2005,
By Roger Adler
Apple's GarageBand audio recording application has recently been upgraded to version 2, and the program offers several welcome improvements. GarageBand...
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Jul 1, 2005,
By Jim Aikin
Music is always changing. Even in the most repetitious groove, the individual sounds change from moment to moment. Some of the changes come in the form...
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Jul 1, 2005,
By rachMiel
Extreme forms of audio and MIDI editing can pull listeners in, and the resulting techniques often become a vital part of the ongoing evolution of electronic...
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Jun 1, 2005,
By Geary Yelton
The Internet has done more to advance the spread of information than any technological advance since the invention of the printing press. Electronic musicians...
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Jun 1, 2005,
By Maureen Droney
There's an old Los Angeles joke that goes like this: What's the fastest way to the Valley? The answer: Marry a musician! The joke refers to the San Fernando...
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Jun 1, 2005,
By Dave Darlington
Because most desktop audio applications offer an unlimited number of virtual tracks, recordists can keep every take of an artist's performance. All the...
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Jun 1, 2005,
By Orren Merton
A growing number of software synthesizers offer audio inputs, which opens up entire new vistas for effects processing. Here, I'll discuss using virtual-instrument...
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Jun 1, 2005,
By Mark Ballora
Mastering has become a critical step in producing a CD or DVD almost as important as tracking and mixing. Much of this final step involves tweaking various...
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May 1, 2005,
By Mark Ballora
Before digital signal processing (DSP) became the norm in music production, adding delay effects or compression meant running the audio through a hardware...
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May 1, 2005,
By Strother Bullins
In today's increasingly communicative world, there is no shortage of ways to distribute audio-based intellectual property. As a result, there is an overabundance...
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