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Follow Us On...

New Tricks for an Old Dog  Oct 1, 2006, By Mark Ballora For more than 20 years, the main purpose of MIDI has remained much the same: triggering sounds on a synth or sampler. Yet MIDI's modest-bandwidth, straightforward...

The Shifting Sands  Oct 1, 2006, By Mike Levine Over the past several years, there's been much talk about how the World Wide Web has democratized the music industry, allowing independent musicians to...

All Is Not Lost  Oct 1, 2006, By Vijith Assar Chances are you occasionally send rough mixes to clients or vie for jobs using compressed audio samples. But it's surprising how little some engineers...

It's a Cakewalk  Oct 1, 2006, By Scott R. Garrigus Streamline your sessions with these work-arounds for Cakewalk Sonar 5....

Yours, Mine, and Ours  Oct 1, 2006, By Mike Levine Considering the ever-increasing fusion of music and technology, you probably wouldn't be surprised to hear that an artist recently released an album containing...

Shifting Timbres  Oct 1, 2006, By Len Sasso Speedup pitch-shifting has more uses than just the "singing chipmunk" effect....

Show Me Your License  Sep 1, 2006, By Fran Vincent Have you ever considered recording a cover song for a CD project? Did you ever want to use audio that you sampled from somebody else's album or from some...

Reality Check  Sep 1, 2006, By Mitchell Sigman In small-project studios, recording drums live is the exception rather than the rule and is a luxury reserved for those people who have proper mics and...

After a Brief Delay  Sep 1, 2006, By Jim Aikin A delay line simply echoes its input at its output, and unless you take some extra steps, your listeners will soon tire of the effect. Rhythm-based delay...

Pitch Vs. Frequency  Sep 1, 2006, By Mark Ballora One thing that desktop musicians often struggle with is the distinction between creative and technical terms. An example is the musical term pitch as...

The Exuberant Engineer  Sep 1, 2006, By Diane Gershuny If you spend any time chatting with producer-engineer John Paterno, you can't help but notice his over-the-top passion for music and making records. Everything...

The Arc of a Project  Sep 1, 2006, By Larry the O Projects have their own flow and arc, and one must complete several of them before the process comes together in one's head. I'm mostly thinking about...

Operators Are Standing By  Aug 1, 2006, By Jim Aikin Despite its age, FM (frequency modulation) synthesis remains a popular technique for desktop musicians. In fact, composers and sound designers have more...

Click for Success  Aug 1, 2006, By Strother Bullins Most serious musicians will agree that composing, recording, and performing great music is a full-time occupation. Yet there is no promise of seeing a...

A Workshop in the Garage  Aug 1, 2006, By Bob “Dr. Mac” LeVitus Apple Computer's GarageBand is revolutionary. Never has it been easier or less expensive to record, mix, and master studio-quality audio. Though GarageBand...

Ribbon Mic Summit  Aug 1, 2006, By Gino Robair Although condenser and dynamic microphones still dominate most personal studios, ribbon mics are gaining in popularity. More products are now available,...

Create More Realistic Strings  Aug 1, 2006, By Steve Skinner There are two ways to work with string samples. One is to use them to try to simulate the sound of a live string section. The other is to approach them...

Extreme Resonance  Aug 1, 2006, By rachMiel Increasing filter resonance to its conventional limit sharpens audio, giving it presence and bite. Pushing resonance beyond that limit can generate wild...

Frankly, It's Dweezil  Aug 1, 2006, By Mr. Bonzai The year 2006 has shaped up to be a big one for Dweezil Zappa. He's releasing his first solo album since 2000's Automatic (Favored Nations), he completely...

CAMEL AUDIO CamelPhat 3.15    and CamelSpace 1.15   Aug 1, 2006, By rachMiel CamelPhat 3.15 and CamelSpace 1.15 are multi-effects plug-ins from U.K.-based Camel Audio. CamelPhat is designed to add warmth, edge, growl, and in-your-face...

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