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Follow Us On...

Vocal Magic  Jul 1, 2006, By Mike Levine It would be natural to assume that as digital audio technology has become more sophisticated, the job of the engineer and producer has gotten easier with...

Mixing Down and Speaking Up  Jul 1, 2006, By Paul Tingen Master mixer Dave Pensado enjoys causing consternation among his peers by making controversial statements about the craft of recording. He takes great...

Recording the Genius  Jun 1, 2006, By Mike Levine Terry Howard spent almost 20 years working as Ray Charles's engineer, winning three Grammy Awards in the process and getting an insider's view of Charles's...

The Matrix  Jun 1, 2006, By Jim Aikin All too often, the sounds produced by synthesizers are lifeless and boring. (I'm a huge fan of synthesizers, so I'm allowed to say that.) Various techniques...

No Spam, No Foul  Jun 1, 2006, By Fran Vincent You've just opened your email box, and a deluge of unwanted, suspicious, and possibly fraudulent messages glare back at you, smugly daring you to open...

Acting on Impulse  Jun 1, 2006, By Alex Kemmler Convolution reverb is rapidly gaining popularity as a powerful sonic tool. Though there is a lot of information describing the theory (see the excellent...

ReWired for Effects  Jun 1, 2006, By David Darlington Producers and engineers are constantly trying to come up with something new when mixing their latest creation. To that end, they invest in plug-in and...

Fun with Formants  Jun 1, 2006, By Len Sasso Formants are usually associated with vowel sounds; they are the natural resonances of the vocal tract that give vowels their character. Acoustic instruments...

A New Look at Vocoding  May 1, 2006, By Len Sasso You can think of a vocoder as a morphing multiband equalizer, in which the morphing is controlled by a spectral analyzer. Typically, speech (called the...

Jingles All the Way  May 1, 2006, By Steve Skinner If you're skilled at composing, arranging, and producing, there's money to be made writing music for advertising. As with television and film scoring,...

Better Safe Than Sorry  May 1, 2006, By Mike Levine Imagine spending an entire week working on a critically important music project. You toil day and night orchestrating, programming, and recording. You...

The Art of the Pad  May 1, 2006, By Steve Skinner What's the question that musicians hear the least? No, it isn't Is that the trombone player's Porsche? It's How'd you get that nice pad? One of the most...

Timing Is Everything  May 1, 2006, By Brian Smithers Horticulturalist Luther Burbank is credited with defining a weed as any plant that is growing in the wrong place. In that same spirit, one could consider...

Label Enablers  Apr 1, 2006, By Jeffrey P. Fisher In an ideal world, every musician would have professionally printed, slick-looking labels for the CDs and DVDs they record. But the reality is that when...

Gaining Tracktion  Apr 1, 2006, By Jim Aikin When Mackie unveiled Tracktion in 2004, more than a few industry veterans scratched their heads in perplexity. There were already several good digital...

Hired Guns  Apr 1, 2006, By Michael Cooper A couple of years ago, on the advice of famed producer Byron Gallimore, I began tracking my country-music song demos in Nashville. My Oregon-based studio...

Listening to Monitors  Apr 1, 2006, By Rusty Cutchin If you're thinking about buying your first set of dedicated studio monitors or about upgrading the ones you have, it can be daunting to try to assimilate...

Xtreme Processing  Apr 1, 2006, By Eli Krantzberg You can often use several instances of the same plug-in to achieve realistic-sounding effects. The cumulative result of serial processing with subtle...

Have Knowledge, Will Travel  Mar 1, 2006, By Jeffrey P. Fisher Several months ago, this column looked at how to leverage your recording smarts into technical-writing gigs (see Working Musician: Landing the Write Job...

Vive la Différence  Mar 1, 2006, By Mark Ballora We've all heard it: If you want to do a job right, use the right tool for the job. If your job is to record something, your main tool is the microphone....

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