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Electronic Musician »
Tutorials
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Oct 1, 2006,
By Mike Levine
Considering the ever-increasing fusion of music and technology, you probably wouldn't be surprised to hear that an artist recently released an album containing...
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Sep 1, 2006,
By Larry the O
Projects have their own flow and arc, and one must complete several of them before the process comes together in one's head. I'm mostly thinking about...
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Sep 1, 2006,
By Fran Vincent
Have you ever considered recording a cover song for a CD project? Did you ever want to use audio that you sampled from somebody else's album or from some...
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Sep 1, 2006,
By Mitchell Sigman
In small-project studios, recording drums live is the exception rather than the rule and is a luxury reserved for those people who have proper mics and...
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Sep 1, 2006,
By Jim Aikin
A delay line simply echoes its input at its output, and unless you take some extra steps, your listeners will soon tire of the effect. Rhythm-based delay...
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Sep 1, 2006,
By Mark Ballora
One thing that desktop musicians often struggle with is the distinction between creative and technical terms. An example is the musical term pitch as...
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Sep 1, 2006,
By Diane Gershuny
If you spend any time chatting with producer-engineer John Paterno, you can't help but notice his over-the-top passion for music and making records. Everything...
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Aug 1, 2006,
By Mr. Bonzai
The year 2006 has shaped up to be a big one for Dweezil Zappa. He's releasing his first solo album since 2000's Automatic (Favored Nations), he completely...
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Aug 1, 2006,
By rachMiel
CamelPhat 3.15 and CamelSpace 1.15 are multi-effects plug-ins from U.K.-based Camel Audio. CamelPhat is designed to add warmth, edge, growl, and in-your-face...
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Aug 1, 2006,
By Jim Aikin
Despite its age, FM (frequency modulation) synthesis remains a popular technique for desktop musicians. In fact, composers and sound designers have more...
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Aug 1, 2006,
By Strother Bullins
Most serious musicians will agree that composing, recording, and performing great music is a full-time occupation. Yet there is no promise of seeing a...
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Aug 1, 2006,
By Bob “Dr. Mac” LeVitus
Apple Computer's GarageBand is revolutionary. Never has it been easier or less expensive to record, mix, and master studio-quality audio. Though GarageBand...
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Aug 1, 2006,
By Gino Robair
Although condenser and dynamic microphones still dominate most personal studios, ribbon mics are gaining in popularity. More products are now available,...
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Aug 1, 2006,
By Steve Skinner
There are two ways to work with string samples. One is to use them to try to simulate the sound of a live string section. The other is to approach them...
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Aug 1, 2006,
By rachMiel
Increasing filter resonance to its conventional limit sharpens audio, giving it presence and bite. Pushing resonance beyond that limit can generate wild...
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Jul 1, 2006,
By rachMiel
In the early days of electronica production, grooves often repeated without variation, and listeners loved it. These days, beat lovers demand more from...
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Jul 1, 2006,
By Jim Aikin
Controlling more than one parameter from a single MIDI Control Change message is an excellent way to add expression to your synth sounds. In Square One:...
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Jul 1, 2006,
By Jim Aikin
String and woodwind players almost always enrich their long notes by using a technique called vibrato. To produce vibrato, string players wiggle the finger...
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Jul 1, 2006,
By Fran Vincent
MySpace.com, a rising star in the Internet world, is a valuable marketing tool for musicians. The networking site has more than 65 million users and receives...
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Jul 1, 2006,
By Luke Holden
Since the late 1990s, the emergence of the mobile-telephone ringtone market has brought numerous employment opportunities to musicians, programmers, and...
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