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Tutorials
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Jan 22, 2007
Provide these basic needs and learn how to save time editing your audio....
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Jan 11, 2007
Learn How to Master Steinberg's Cubase 4 with this single-issue magazine featuring a bonus DVD. Mastering Cubase 4 will focus on getting up to speed quickly with tutorials on Steinberg's powerful cross-platform digital audio sequencer. ...
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Jan 1, 2007,
By Heather Johnson
For Venus Hum's third full-length release, The Colors in the Wheel (Nettwerk/Mono-Fi, 2006), the electronic-pop trio eschewed synthesizers in favor of...
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Jan 1, 2007,
By Fran Vincent
As an artist, your creative works are the lifeline of your business. By protecting them through copyright registration, you can control how they're used...
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Jan 1, 2007,
By Rusty Cutchin
Bring ‘em Back Alive reveals tips and techniques from recording professionals on the best strategies for making live recordings of bands or solo artists, either onstage or in the studio....
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Jan 1, 2007,
By Jim Aikin
In the late 1980s, sample-based synthesis was the premier technology that keyboardists used to produce a wide range of realistic sounds. Today, the synthesist...
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Jan 1, 2007,
By Marty Cutler
It's quite an awe-inspiring experience to pick up a guitar and play sounds that could never come from a guitar alone. The convergence of guitar, synthesizer,...
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Jan 1, 2007,
By Len Sasso
Using guitar amps, cabinets, and stompboxes to process instruments ranging from horns to acoustic and electric keyboards has a long history onstage and...
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Jan 1, 2007,
By Eli Krantzberg
Noise gates are among the oldest audio-production tools. They mute a signal falling below a certain level, called the threshold, to remove unwanted noise....
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Dec 1, 2006,
By Jim Aikin
Until the late 1970s, synthesizers were used primarily to create new and unusual types of sounds. But by 1980, keyboard players were clamoring for synths...
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Dec 1, 2006,
By Orren Merton
Electronic Musician’s review of Waves GTR 2.0, a Guitar plug-in suite. Waves GTR 2.0, a hardware/software bundle for guitar recording includes hardware/software guitar amp-, cabinet-, and effects-modeling system....
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Dec 1, 2006,
By Mike Levine
Electronic Musician’s feature on direct guitar recording looks at DI options, modeling processors and plug-ins, strategies for getting the best sound, and more....
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Dec 1, 2006,
By Michael Cooper
Read the Electronic Musician interview with four top engineers to learn their approach to recording acoustic guitar. Recording engineers talk about how they pursue the perfect acoustic guitar sound....
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Dec 1, 2006,
By Charles Dye
Electronic Musician’s feature, written by Grammy-winning engineer Charles Dye, on better monitoring strategies. Gear, speaker placement, and advice for keeping perspective are all includedas you learn how to use monitoring techniques for a better mix....
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Dec 1, 2006,
By Steve Skinner
The three ingredients that are essential for creating a convincing synthesized-bass part are programming, playing, and mixing. I describe how to program...
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Dec 1, 2006,
By Steve Skinner
The key to programming convincing synth-bass sounds is simplicity. I use one oscillator with a medium-width pulse wave and a lowpass filter whose envelope...
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Nov 20, 2006
Know it all with Digital Music Doctor's latest video training course, Sonar 6—Know It All! (Mac/Win; $34.95)....
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Nov 13, 2006
The McDSP Education Program provides special access and hands-on training for the McDSP line of plug-ins. More than 75 schools worldwide have already received hands-on training...
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Nov 13, 2006
Digital Music Doctor Know It All series is now available; know it all with the video training course Cubase 4—Know It All! (Mac/Win; $34.95). With over two hours of videos...
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Nov 2, 2006
Alexander Publishing has teamed up with Naxos to create How Ravel Orchestrated: Mother Goose Suite, an orchestration instruction set that includes a newly-engraved, 200-page score with the condensed piano part, along with a recording of the Suite performed by the Slovak Radio Symphony Orchestra and conducted by Kenneth Jean....
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