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Knowledge and Power 

By Eddie Ciletti

No matter what size studio you have, power-related noise can cause serious problems. The typical scenario in the personal studio goes something like this:...

Empower Your Virtual Instruments 

By Babz

Virtual Instruments (VIs) hold out the promise that a few windows on your computer screen can effectively replace a roomful of expensive hardware instruments....

Resonant Filter Sweeps Reborn 

By Peter Schwartz

Resonant filter sweeps are as old as synthesis itself, and they often tag a track as dated and synthy. Nevertheless, a good old-fashioned eeeeowww is...

Making Waves 

By Jim Aikin

The sound emitted from almost every synthesizer and sampler comes from a module called an oscillator. The output of the oscillator is usually processed...

Studio in the Round 

By Rusty Cutchin

Audio enthusiasts have been touting surround sound as the next big thing in audio for several years now. Further, the DVD revolution and video gaming...

Analog Gear in a Digital World 

By Dave Darlington

Many of us often find ourselves mixing in the box using plug-ins in place of analog processors and pushing a mouse instead of riding faders. As a result,...

Parallel Paths 

By Eli Krantzberg

In Sound Design Workshop: Off the Wall (see the August 2005 issue of EM), I discussed some of the creative possibilities of slicing, displacing, and offsetting...

Better Late Than Never 

By Jim Aikin

Musicians are forever looking for ways to improve the sounds that they create. Many of the methods they use fall under the heading of which can be free-standing...

Landing the Write Job 

By Strother Bullins

The idea of useless knowledge is inherently erroneous. I am a proud purveyor of details of limited purpose, like the release dates of classic albums or...

Being John Medeski 

By Paul Tingen

John Medeski has been known to make strong snap judgments. Imagine this: as a child prodigy, he was groomed to become one of the country's leading concert...

Got You Covered 

By Mike Levine

EM's Guide to eBay 

By Geary Yelton

Musicians and audio engineers have a rich history of buying and selling used instruments and equipment. Historically, such transactions have taken place...

Doing More with GarageBand 

By Roger Adler

Apple's GarageBand audio recording application has recently been upgraded to version 2, and the program offers several welcome improvements. GarageBand...

Extreme Editing 

By rachMiel

Extreme forms of audio and MIDI editing can pull listeners in, and the resulting techniques often become a vital part of the ongoing evolution of electronic...

Sealed and Delivered 

By Jim Aikin

Music is always changing. Even in the most repetitious groove, the individual sounds change from moment to moment. Some of the changes come in the form...

Build a Desktop Studio on Any Budget 

By the EM Staff

EM editors specify the products that they would buy for their personal dream studios....

Recording the Drums of Salvador 

By Brian Knave

Life is sweet for Mrcio Victor. At age 25, the heavy-hitting Brazilian percussionist has already worked with some of that country's biggest music stars,...

Some Like It Hot 

By Mark Ballora

Mastering has become a critical step in producing a CD or DVD almost as important as tracking and mixing. Much of this final step involves tweaking various...

Nine Essential Online Resources 

By Geary Yelton

The Internet has done more to advance the spread of information than any technological advance since the invention of the printing press. Electronic musicians...

Garage of Dreams 

By Maureen Droney

There's an old Los Angeles joke that goes like this: What's the fastest way to the Valley? The answer: Marry a musician! The joke refers to the San Fernando...

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