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Making Tracks: At Your Fingertips  Dec 1, 2009, By Markkus Rovito Drum-pad and pad-grid controllers are finding their way into studios and onto all kinds of keyboards and workstations. If you're only using those pads...

Sound Design Workshop: Rough It Up  Dec 1, 2009, By Benjamin McFarlane It's the early '70s. Somewhere in the U.K., Yes' keyboardist, Rick Wakeman, is tweaking the filter emphasis on his Minimoog. Across the Atlantic, Eric...

Nathaniel Kunkel InSession: Technology=Clarity?  Dec 1, 2009, By Nathaniel Kunkel I've got to tell you, one of the most interesting things we discuss in the studio is the reality that even though all this great technology was intended...

Master Class: Any Way You Slice It  Dec 1, 2009, By Marty Cutler Half a decade after its introduction, Spectrasonics Stylus RMX remains at the very top of my list of go-to instruments. What keeps it on the A team is...

Polar Pattern Power  Dec 1, 2009, By Brian Heller The directivity of a microphone is a key variable in the art of capturing any sound. Because mic placement is among the hardest things to undo or fix...

Making Tracks: Make Mine Rubato  Nov 1, 2009, By Michael Cooper Many musicians hate recording while following a soulless click track that constrains their playing to a rigid tempo. Unfortunately, recording tracks with...

Sound Design Workshop: Bottom's Up  Nov 1, 2009, By Simon Langford Sidechain compression is an industry staple for cleaning up the bottom end of bass tracks. It uses a kick drum as the sidechain input to a compressor...

Mixing Drums | Beefing Up the Beat  Oct 1, 2009, By Michael Cooper Much has already been written about mixing drums, so rather than restating the basics, I'll share with you tips and advice that you're less likely to...

Making Tracks: Screencast Audio Editing  Oct 1, 2009, By Eli Krantzberg Screencasting programs such as ScreenFlow for the Mac and Camtasia for Windows let you simultaneously capture screen movement and audio. Here's how to...

Sound Design Workshop: Clean Sweep   Oct 1, 2009, By Len Sasso The familiar sweeping effect known as flanging takes its name from the way in which it was originally produced using a pair of analog tape machines. The...

Happy Singers, Happy Tracks  Sep 1, 2009, By Steve Skinner In the studio, singers give their best performances when they're comfortable, confident and contented. As the producer, it's your job to make them feel...

Option-Click: Watch Your Groove  Sep 1, 2009, By David Battino Tempo-synched delay is one of the coolest effects in music. Quarter- or 8th-note echoes can really fill out a part, whereas dotted 8th-note echoes can...

Making Tracks: Put Your Tracks on Ice  Sep 1, 2009, By Len Sasso Before Live 8, Ableton's robust implementation of track freezing had one major drawback: It couldn't be applied to multichannel virtual instruments (Vis),...

Sound Design Workshop: Twang, Rattle and Thunk  Sep 1, 2009, By Len Sasso Although John Cage was not the first person to alter the timbre of an acoustic instrument with foreign objects (nuts, bolts, rubber wedges, etc.), he...

Nathaniel Kunkel In Session: Louder, But Softer  Sep 1, 2009, By Nathaniel Kunkel Have you ever noticed how much more fun it is to turn up old recordings than new ones? I know we all talk about the level wars that the CD medium ushered...

Making Tracks: Speed It Up  Aug 1, 2009, By Brian Smithers Three keys to being an efficient editor in any DAW are views, tools and navigation. Although the following suggestions are specific to Pro Tools 7.4,...

Option-Click: Mix It Like MacGyver  Aug 1, 2009, By David Battino Find Out About Electro-Harmonix Voice Box Utility Mixer for Audio Production...

Make Mine Modular  Aug 1, 2009, By Gino Robair Relegated to the technological tar pits when inexpensive digital synths hit the scene in the '80s, analog synths are now being used by savvy sound artists...

Sound Design Workshop: A Subtle Shift  Aug 1, 2009, By Len Sasso Frequency shifting and its first cousins, ring and amplitude modulation, are usually associated with clangorous sci-fi sound effects. But with the right...

Making Tracks: Wild Sync  Jul 1, 2009, By David Battino How do you sync the tempos of multiple laptops, grooveboxes, or synths? Tight timing is a worthy goal, but being close in tempo is easier to achieve...

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