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Signal Processors
View Specs on Popular Signal Processors
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Aug 1, 2004,
By Eli Crews
Electronic Musician’s review of the Focusrite TwinTrak Pro, a 2-channel mic preamp that features mid-scoop EQ, compression, and a monitor section...
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Jul 1, 2004,
By Karen Stackpole
Electronic Musician’s review of the Apogee Mini MP, a 1/3U, 2-channel analog preamp....
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Jul 1, 2004,
By Myles Boisen
Electronic Musician’s review of Rane’s G4, a 4-channel, digitally controlled analog noise gate, ducker, and expander....
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Jul 1, 2004,
By Myles Boisen
Electronic Musician’s review of Rane’s G4, a 4-channel, digitally controlled analog noise gate, ducker, and expander....
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Jun 1, 2004,
By Eli Crews
Electronic Musician’s review of the PreSonus Eureka, a single-channel preamplfier, compressor, and equalizer....
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Jun 1, 2004,
By Nick Peck
Eventide has re-created its original ground-breaking processors in plug-in form. Dubbed the Clockworks Legacy Bundle, this group of five plug-ins for Mac-based Pro Tools TDM systems brings a seventies vibe to a desktop near you....
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Mar 1, 2004,
By Geary Yelton
Geary Yelton reviews the AdrenaLinn II, the updated version of Roger Linn Design’s award-winning effects processor for guitarists....
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Mar 1, 2004,
By Eli Crews
The Focusrite ISA 428 Pre Pack offers four high-quality transformer-based preamps and the 8-channel MH-442 A/D converter in one device....
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Mar 1, 2004,
By Eli Crews
The ToadWorks Death Rattle combines Fender and Marshall amp emulations with a boost circuit. ...
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Feb 1, 2004,
By Myles Boisen
Myles Boisen reviews the Summit Audio 2BA-221, a versatile preamp for microphones, electric bass, and line-level inputs....
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Feb 1, 2004,
By Larry the O
Seven Woods Audio’s original Ursa Major Space Station SST-282 from the late 70s was a multitap delay-based echo, ambience, and reverb device. Its newest incarnation, the SST-206 ($1,195), faithfully recreates all of the earlier Space Station algorithms, and it adds a new Room algorithm that is completely different from the other programs....
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Jan 1, 2004,
By Michael Cooper
A studio pro explains how split-band (aka multiband) compression works and how it can improve your mixes and solve everyday audio problems. Then he looks at several choices you have when selecting a split-band compressor...
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Jan 1, 2004,
By Myles Boisen
The FMR RNP 8380 Really Nice Preamp is a 1/3U 2-channel mic preamp with wealth of features, such as front-panel DI inputs, inserts, and the ability to work with balanced or unbalanced signals....
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Nov 1, 2003,
By Myles Boisen
Drawmer, a respected British manufacturer of midpriced pro gear, is reaching out to the personal-studio and gigging musician with its Tube Station 1 (TS1)....
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Oct 1, 2003,
By Michael Cooper
The SPL Transient Designer 4 is a unique rackmount dynamics processor that can significantly improve audio signals by changing their attack and sustain characteristics....
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Oct 1, 2003,
By Jon Chappell
Line 6 was one of the first manufacturers to practically apply the principles of modeling to guitar-amp simulation. Though not the only company to produce...
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Sep 1, 2003,
By Richard Alan Salz
Despite the fact that it's only half a rackspace wide, Studio Projects' VTB1 does not have what you would call a minimalist design. The variety of features in this innovative mic preamp is almost unmatched at its price point....
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Jul 1, 2003,
By Nick Batzdorf
The MPX 550 Multi-effects processor combines the famous Lexicon reverbs with time- and frequency-based effects and dynamics processing....
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Jul 1, 2003,
By Myles Boisen
A review of the Little Labs IBP (In Between Phase) Analog Phase Alignment Tool, which allows continuous phase adjustment of a mono signal from 0 to 180 degrees. The processing is accomplished using high-quality passive analog filters, and without using digital or analog time-delay....
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Jun 1, 2003,
By Geary Yelton
The Dave Smith Instruments Evolver is an inexpensive monophonic synthesizer module and signal processor that combines digital and analog technology. EM explores its capabilities for producing new and unusual sounds....
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