“Hearing David Bowie’s Blackstar for the first time with Tony Visconti in the room and just working out the magic in that record. It was a pretty crazy, surreal experience”: Mastering maestro Joe LaPorta talks loudness, AI and being “very much a vibe guy”
“It’s just knowing how far you can push something before it loses its musicality,” says the man who finessed Miley Cyrus’s Flowers