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Electronic Musician »
Magazine Articles
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Dec 1, 2004,
By Len Sasso
Arturia's flagship all-in-one software studio, Storm, has been through a major upgrade with its lastest release, version 3.0. Gone are the rackspace limit...
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Oct 1, 2006,
By Len Sasso
One look at its control panel will tell you that UFO 1.0 ($139) is no ordinary synth. Its overlapping brushed-metal modules, lightning-bolt signal-path...
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Feb 1, 2001,
ELECTRONIC MUSICIAN STAFF
Digigram VXPocket Using a notebook computer as a digital audio workstation has long been a dream for virtually all musicians who want to travel with their...
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Jan 1, 2000,
the EM Staff
FRONTIER DESIGN DAKOTA(Win; $649)When we looked closely at the Frontier Design Dakota, we knew this was not your average audio card. Granted, it's not...
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May 1, 2002,
By Larry the O
Dutch developer Audio Ease recently broke new ground with Altiverb, the first real-time reverb plug-in that bases its presets on sampled acoustics. As...
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Dec 1, 2005,
By Larry the O
Audio Ease, the first manufacturer to release a real-time convolution-reverb plug-in, started the convolution revolution in earnest with Altiverb. Initially...
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Nov 1, 2000,
Marty Cutler
Audio Ease's Nautilus Bundle plug-ins for MAS ($299) are a real-time granular synthesizer, a 24-notch phaser, a 32-band equalizer, and a spectroscope....
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Mar 1, 2007,
By Myles Boisen
Addressing the unique needs of ribbon mics, Audio Engineering Associates (AEA) has released the Ribbon Pre (TRP; $965), a 2-channel solid-state JFET mic...
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Oct 1, 2003,
By Myles Boisen
Electronic Musician’s review of the Audio Engineering Associates R84 Ribbon Microphone includes a listening comparison of the R84 with several popular ribbon mics....
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Nov 1, 2000,
Marty Cutler
One of the problems with digital audio is that it is not as pliable as MIDI data with respect to tempo and pitch. Most software solutions result in compromised...
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Oct 1, 2008,
By Gino Robair
Read about Audio Products That Are Spotlighted in 2008 TECnology Hall of Fame...
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Feb 1, 2000
The number of digital audio interfaces already on the market is staggering, and more are being released every day. Many of these systems have been previously...
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May 1, 2003,
Gary Hall
DVD-Video includes a bewildering array of options for audio. DVD is the first medium in which not only the format but the resolution and data rate of...
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Nov 1, 2000,
Scott R. Garrigus
Software synthesis, sample playback, sequencing, mixing, and effects all rolled into one.Now that PCs are Pentium-powered, music-software developers are...
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Feb 1, 2000,
Scott R. Garrigus
Over the past few years, software synthesis has become a major craze on the desktop. Shareware and commercial developers alike have flocked to this new...
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Nov 1, 2003,
By Myles Boisen
The AE2500 ($699) is an ingenious “two-mics-in-one” transducer that gives engineers an exciting new option for live and studio kick drum applications. By including a dynamic and a condenser element in one housing, Audio-Technica has made it possible to compare the sound of both microphone types and select one or the other, or to blend the two at the mixing board without any phase cancellation worries....
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Feb 1, 2004,
By Myles Boisen
Electronic Musician’s review of the Audio-Technica AT3060, a large-diaphragm condenser, phantom-powered tube mic....
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Feb 1, 2003,
By Richard Alan Salz
The new Audio-Technica AT4040 is not just another knock-off mic made to look and sound like one of the treasured classics. Nor is it another mic distributed...
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Mar 1, 2000,
Randy Tobin
The AT4047/SV is the latest member of Audio-Technica's extensive line of studio microphones. What sets it apart from other Audio-Technica 40-series mics...
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Sep 1, 2001,
By Rudy Trubitt
In the comfortable confines of a studio, you can position microphones as you please. Want more detail? Just move the mic closer to the source. In the...
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Jul 1, 2006,
By Len Sasso
Minneapolis studio owners and self-proclaimed Mac zealots Matthew Foust and Evan Olcott set out to develop the audio editor of their dreams. Their goal...
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Feb 1, 2004,
By Brian Knave
The Audix D6 Sub Impulse Dynamic Instrument Microphone is designed for use on kick drums, and is equally at home in the studio or on stage....
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Mar 1, 2005,
By Karen Stackpole
Audix's recently released i5 ($179) is a multi-purpose, unidirectional dynamic microphone. The company touts it as a versatile, affordable workhorse along...
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Aug 1, 2003,
By Richard Alan Salz
A review of the Audix SCX-25, a compact large-diaphragm condenser microphone with a fixed cardioid polar pattern. The mic has a warm, smooth, natural sound with an unhyped midrange response. A very versatile mic, the SCX-25 works well on most sources, and exceptionally well on piano, vocals, brass, and others....
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Jul 1, 2004,
By Eli Crews
Electronic Musician’s review of the Audix Micro M1245 and M1290 cardioid condenser microphones....
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