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All the News that Fits 

Jan 1, 2000,

Larry the O

People who hire you to compose or perform music or to provide other sound-related services often lack understanding of some basic realities. This is usually...

All the World's a Stage 

Nov 1, 1999,

Karen Stackpole

Books about miking techniques typically cover the subject of drum-set miking but rarely focus on percussion and almost never on world percussion. If an...

ALL THINGS GREAT BUT SMALL AROUND THE STUDIO 

Dec 1, 2004,

By Gino Robair

The old adage good things come in small packages has never been more true than it is for the personal studio. This year's holiday gift guide celebrates...

All Together Now 

Jan 1, 2007,

By Jim Aikin

In the late 1980s, sample-based synthesis was the premier technology that keyboardists used to produce a wide range of realistic sounds. Today, the synthesist...

Allegroassai Opus 2.6 Review 

May 1, 2001,

By Brian Smithers

Allegroassai (formerly Sincrosoft) is making a play for the hearts and minds of well-connected 21st-century musicians. The Italian software company has...

AllGadgets Great&Small 

Dec 1, 1999,

Mary Cosola

Our annual gift story is more than just an opportunity to dress up some gadgets and parade them around in all their holiday finery: it's a chance to highlight...

ALONE AT HOME 

Jul 1, 2001,

Steve Oppenheimer

If there is one universal truth about personal-studio owners, it's that we wear multiple hats. In some cases, we are the songwriter, arranger, instrumentalist,...

Alphabet Soup 

Feb 1, 2000,

Brian Smithers

This month we're going to wade through the morass of acronyms and abbreviations you need to know to make sense of articles and ads aimed at desktop musicians....

Alternative Music Fonts 

Sep 1, 2000,

Brian Smithers

Custom fonts from the ivory tower to the speakeasy.Although traditional music notation uses a standardized set of markings and symbols, not all printed...

Amazing Acoustic-Digital Pianos 

Jan 1, 2004,

By Jennifer Conrad Seidel

Few people can deny that digital pianos are impressive instruments. They come very close to reproducing the sound and feel of true acoustic pianos, and...

AMBIENCE CLINIC 

Dec 1, 2004,

By Julian McBrowne

Anyone who has ever mixed a piece of music knows how important ambience is. Adding space to an instrument or to a vocal track can bring it to life and...

Amped Up 

May 1, 2007,

By Steve Skinner

How to use guitar-amp simulator plug-ins to process vocal, drum, and other non-guitar tracks....

AN ANNOTATED WELLWATER DISCOGRAPHY 

Feb 1, 2004,

John McBain

Wellwater Conspiracy (Transdreamer/Megaforce, 2003) Stripped down and rock ready. The '60s element returns with a vengeance along with a distinctvibe...

An audio interface for the desktop musician. 

Mar 1, 2000,

Mike Lawson

Late in 1998, famed synthesizer guru Tom Oberheim founded SeaSound with the stated purpose of manufacturing high-quality, reasonably priced digital recording...

Analog Boot Camp 

Dec 1, 2000,

John Duesenberry

Learn the true meaning of the word "analog" and other '70s arcana. Analog synthesizers, real and emulated, are enjoying renewed popularity today. Indeed,...

Analog Gear in a Digital World 

Sep 1, 2005,

By Dave Darlington

Many of us often find ourselves mixing in the box using plug-ins in place of analog processors and pushing a mouse instead of riding faders. As a result,...

Analog in My Soul 

Jul 1, 2003,

By Gino Robair

My main instruments are modular analog synthesizers, says Olivier Gerber, who, under the name Smoo, released Traffic in My Soul (Neuronium, 2002). Working...

Analog Renaissance 

Jun 1, 2006,

By Gino Robair

Although analog modular synthesizers are considered boutique items, often with prices to prove it, their influence on popular music belies their niche...

Analog SUPER MODELS 

Aug 1, 2002,

By Geary Yelton

Back in the day, real musicians played real analog synthesizers. Minimoogs, Odysseys, Putneys, and Electrocomps those were true analog machines, subject...

ANALOGUE SOLUTIONS 

Jan 1, 2003,

By Mike Peake

Analogue Solutions has upped the ante in the stompbox filter wars by introducing the Phobos Filtered Coffee ($325). The feature-packed single-rackspace...

ANALOGUE SOLUTIONS BLACK COFFEE 

Jul 1, 2003,

By Mike Peake

Electronic Musician reviews a feature-packed analog synthesizer module, the Black Coffee from Analogue Solutions. This monosynth includes a Moog-style 24 dB lowpass filter and a gritty sounding oscillator....

ANALOGUE SOLUTIONS VOSTOK 

Feb 1, 2003,

By Mike Peake with Geary Yelton

From U.K. manufacturer Analogue Solutions comes the Vostok, a portable modular synthesizer that provides plenty of basic functions for producing and manipulating...

ANALOGUE SYSTEMS 

Sep 1, 2002,

By Gino Robair

Analogue Systems recently added the RS240 Frequency Shifter ($795) to its roster of RS Integrator analog synth modules. The RS240 is based on the coveted...

Analogue Systems Sorcerer Review 

Sep 1, 2001,

By Julian Colbeck

Modular analog synthesis is alive and well in the 21st century. There was a time when a synthesizer was a collection of modules filled with dozens of...

ANALOGUE SYSTEMS Spawn 

Dec 1, 2003,

By Jim Aikin

Jim Aikin reviews the Spawn, a rackmount analog synth module from Analogue Systems. The Spawn combines patch-cord versatility with MIDI capabilities, including integrated MIDI-to-CV conversion....

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