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Get Started with E-Commerce 

Nov 1, 1999,

Jennifer Hruska

By now you certainly have heard enough hype about the Web. Supposedly, any musician with a computer can make a fortune off the millions of people surfing...

Get the Most from RealAudio 

Jan 1, 2000,

Scott R. Garrigus

Streaming-audio technology has certainly matured over the past few years. Better sound quality and greater reliability, in spite of growing Internet congestion,...

Get the Picture 

May 1, 2007,

Steve Oppenheimer Editor in Chief

It hopefully has not escaped your notice that we have increased our coverage of audio for picture lately. For example, in our February 2007 Music Business...

GET THE PICTURE 

May 1, 2007,

By Brian Smithers

In this article, we will look at video basics from formats to standards to codecs....

Get with the Interaction 

Feb 1, 2004,

By Mark Ballora

There's a growing trend in the world of electronic-music performance. Next time you go to a show, chances are you'll see a laptop onstage, functioning...

Get with the Program 

Apr 1, 2005,

By Mark Ballora

Have you ever wondered what's under the hood of your digital audio sequencer? Your favorite program more than likely has hundreds of thousands of lines...

Getting Found 

Mar 1, 2004,

By Scott Wilkinson

Music technology has progressed so much that anyone with talent and time can record and produce music that rivals almost anything done in a commercial...

Getting Holographic 

May 1, 2004,

By Scott Wilkinson

Data storage on optical discs has been of critical importance to electronic musicians and consumers ever since CDs first appeared two decades ago. Since...

Getting It Online 

Mar 1, 2001,

Mary Cosola

You really can make money from your music on the Web.One of the major quandaries in selling music online is finding buyers. Even those musicians who establish...

GETTING LOADED 

Dec 1, 2002,

BY NICK BATZDORF

It's time to work on some music. You boot up your computer, start up your sequencing program, turn on your MIDI instruments one by one, and begin setting...

Getting Personal 

Feb 1, 2000,

Erik Hawkins

There are managers and there are personal managers. The latter are those brave souls who blur the line between best friend and career counselor, becoming...

Getting Signed Online 

Nov 1, 2000,

Erik Hawkins

Without a doubt, the Internet is an incredibly powerful promotional tool. Used wisely, this inexpensive platform can help unsigned artists distribute...

GETTING THE RIGHTS RIGHT 

Dec 1, 2002,

Mary Cosola

If you are confused as to how a service mark differs from a trademark or whether you should copyright or trademark your band's logo, read on to learn...

GFORCE ImpOSCar 1.0.1 (Mac/Win) 

Nov 1, 2004,

By Peter Freeman

Some very convincing analog-synth emulations have been created, but until recently nobody had attempted to capture the sonic territory of the Oxford Synthesizer...

Gigasampler - Secrets of Effective Pre-Production 

Jan 1, 2002,

BY ZACK PRICE

Anyone who has played Tascam's GigaSampler or GigaStudio (originally developed by NemeSys Music Technology) readily understands why it is rapidly becoming...

Giving Back 

May 1, 2008,

Gino Robair, Editor

Do you have a personal studio and use it for pro-level, for-hire projects? Can you use an assistant engineer on some of your sessions? Got room in your...

Giving Back 

Mar 1, 2001,

Steve Oppenheimer

Readers of this magazine are, in general, an exceptional group of people. According to our surveys, most EM readers are well educated, and many of you...

Giving It All Away 

Sep 1, 2000,

Steve Oppenheimer

We musicians spend much of our lives honing our talent, knowing that the saying "Many are called, few are chosen" applies big-time to us. Few bands ever...

GLOSSARY OF TERMS 

Jan 1, 2004

To help you better understand the technical language used to describe electronic instruments like digital pianos and keyboards, we have compiled a glossary...

GM MODULES for the MASSES 

Feb 1, 2001,

Julian Colbeck

Our GM/XG/GS sound module roundup reveals some winners with general appeal.In the beginning there was MIDI. Well, actually, there wasn't; there was chaos,...

GMEDIA M-TRON 

Dec 1, 2000,

Marty Cutler and Gino Robair

Even though samplers have surpassed the Mellotron in flexibility and expressiveness, the quirky, tape-based sounds of the instrument are highly prized...

GMEDIA MUSIC Oddity (MAC/WIN) 

Oct 1, 2003,

By Brian Smithers

Brian Smithers reviews GMedia Oddity, a VST Instrument emulation of the classic ’70s synthesizer, the ARP Odyssey....

GMEDIA TECHNOLOGY 

May 1, 2001,

By Zack Price

Gmedia's GForce M-Tron 2.04 ($69.95) is a VST instrument for Mac and PC that emulates the classic Mellotron keyboard of days gone by. M-Tron includes...

Going Direct 

Nov 1, 2001,

By Scott Wilkinson

During the past 15 years, many fundamental music-technology concepts have been explained in Square One (originally titled From the Top). In 1997 EM technical...

Going Legit 

Feb 1, 2002,

By Eric Leach

I've seen your living room: your rig, which started out as a 4-track cassette recorder and a DX-7, now has engulfed the entire room, expanding like some...

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