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Electronic Musician »
Magazine Articles
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Jul 1, 2005,
By Geary Yelton
Musicians and audio engineers have a rich history of buying and selling used instruments and equipment. Historically, such transactions have taken place...
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Jul 1, 2002,
By Brian Smithers
Emagic's EMI 2|6 USB audio interface is a nifty and convenient solution for notebook-toting recording musicians. Despite its diminutive size, the EMI...
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Nov 1, 2000,
Jeff Obee
The Logic Audio environment gets its first plug-in synthesizer.Emagic recently expanded the role of plug-ins in the Logic Audio environment to include...
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May 1, 2001,
By Alex Artaud
As computer performance has improved dramatically in recent years, software samplers have moved into what was formerly the turf of hardware titans. Emagic...
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Jun 1, 2000,
Mike Levine
The digital audio sequencer market is a potent illustration of the axiom "Competition spurs innovation." The software companies involved are locked in...
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Mar 1, 2003,
By Rob Shrock
Compared to previous versions, Emagic Logic 5 is a big leap forward in terms of features, power, and ease of use. With version 5.5, Logic now runs under...
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Jun 1, 2004,
By Brian Smithers
Brian Smithers reviews Apple Computer’s flagship digital audio sequencer, Emagic Logic Pro 6. Logic Pro incorporates many new features and includes all the audio instrument plug-ins that were previously sold separately....
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Jan 1, 2002,
By Marty Cutler
Since the review of Emagic's SoundDiver 1.5 in the July 1995 issue, the program has undergone several updates. Many new features consist of cosmetic overhauls,...
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Apr 1, 2001,
By Alex Artaud
Last year Emagic introduced the Unitor8 MkII, its flagship USB MIDI interface for the Mac OS and Windows 95, 98, and ME. This 8-In/8-Out, 128-channel,...
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Aug 1, 2005,
By Mike Levine
As new forms of media continue to evolve, it's important for musicians to stay current with the latest digital-media technology. By staying up-to-date,...
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Aug 1, 2001,
By Matt Gallagher
Hanna makes no bones about his bare-bones approach to drum 'n' bass. House and techno producer Warren Harris of Cleveland, Ohio, records as Hanna. He...
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Oct 1, 2005,
By Babz
Virtual Instruments (VIs) hold out the promise that a few windows on your computer screen can effectively replace a roomful of expensive hardware instruments....
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Dec 1, 2007
Creative Multitasking with Charlie Peacock Keyboardist-songwriter Charlie Peacock's life is like a game of musical chairs: he is constantly changing seats...
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Mar 1, 2005,
Steve Oppenheimer Editor in Chief
I think most electronic musicians will agree that synthesized and sampled emulations of acoustic instruments just don't sound like the real thing. That...
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Feb 1, 2003,
By Chris Martirano
If you're a keyboardist, you're expected to be an arranger and an orchestrator who can work in a wide variety of styles. In the course of a day's work,...
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Nov 1, 2000,
Marty Cutler
MIDI faders are fine for controlling parameters such as volume in a sequencer, synth, or DAW, but sometimes a knob is the tactile tool you want. Encore...
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May 1, 2001,
By Scott R. Garrigus
Are you tired of tweaking synthesizer parameters by wading through multiple menus on a tiny display? Do you cringe at the thought of mixing with a mouse...
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Jun 1, 2001,
By Julian Colbeck
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Feb 1, 2006,
By Len Sasso
Most DAWs have two kinds of automation: time based and clip based. Time-based automation is tied to the DAW's timeline, whereas clip-based automation...
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Apr 1, 2007,
By Gino Robair
The Eowave Persephone is a handmade, ribbon controlled analog synthesizer that offers MIDI I/O and CV output....
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Oct 1, 1999,
Jeff Casey
The fact that every professional mixing console comes with an equalizer on each channel speaks volumes about the importance of EQ in the recording and...
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Apr 1, 2007
October 2006, Software Eighty-Eights, p. 59. In the Essential Statistics sidebar under the Samples: Release column, the Art Vista Virtual Grand Piano...
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Nov 1, 2005
August 2005, Studio in a Box, pp. 64-67. The specifications tables contained errors regarding the Korg and Boss portable digital studios. The Korg D32XD...
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Jan 1, 2002
November 2001, Direct Action, p. 48: The first sentence in paragraph two of Ins and Outs should have read, In some designs, a tube DI's unbalanced input...
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Apr 1, 2003
March 2003, Recording Musician: Maximum Conversion, p. 82. The graphics for Fig. 1 and Fig. 2 were transposed. March 2003, Review: Emagic Logic Platinum...
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