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Cool Tip of the Month 

Feb 1, 2003

Setting Up a Talkback Mic in Pro Tools The EM Cool Tip of the Month is presented courtesy of Cool Breeze Systems. If you're recording tracks in a studio,...

Cool Tip of the Month 

Oct 1, 2002

Automating Virtual Instrument Parameters in Logic The EM Cool Tip of the Month is presented courtesy of Cool Breeze Systems. In today's audio-production...

Cool Tip of the Month 

Jan 1, 2003

Whether you're cutting tracks with speed-metal bands or editing music for the next blockbuster film, you need to know how to create a tempo track in your...

Cool Tip of the Month 

Nov 1, 2002

Getting Started with EQ Plug-Ins The EM Cool Tip of the Month is presented courtesy of Cool Breeze Systems. You recently bought a new DAW and laid down...

Cool Tip Of The Month 

Sep 1, 2002

Using MIDI Patchnames within Cubase is great, but scrolling through 100 or more patches to select your favorite tuba preset can quickly get tedious. Here's...

Cool Tip of the Month 

Jun 1, 2003

Tracking with Plug-Ins You need to lay down a bass part, and you would like to use a plug-in to compress the track. Do you realize that when you record...

Cool Tip of the Month 

Mar 1, 2003

Fatten Up Your Horns The EM Cool Tip of the Month is presented courtesy of Cool Breeze Systems. If you ever mix a recording with a brass section in it,...

Cool Tip of the Month 

Jul 1, 2003

Fuzzy Loops in Cubase In today's production environment, drum-loop options seem literally endless. If you've ever set out to build a tune that's based...

Cool Tip of the Month 

Dec 1, 2002

Convert DP3 Projects to Pro Tools Sessions The EM Cool Tip of the Month is presented courtesy of Cool Breeze Systems. MOTU Digital Performer (DP) users...

Cool Tip of the Month 

Apr 1, 2003

Once you've achieved your basic blend in a mix, time-based effects such as a delay can help you further position the parts. If you aren't careful, though,...

Copyrights and Wrongs 

Jan 1, 2007,

By Fran Vincent

As an artist, your creative works are the lifeline of your business. By protecting them through copyright registration, you can control how they're used...

COVER STORY: Sound Choices 

Mar 1, 2005,

By Rusty Cutchin

Now that powered monitors have taken over pro and project studio airspace, a speaker seems to be available for every room and budget. The studio owner who is shopping for a pair will find it easier to name the audio manufacturers that don't offer a powered monitor than to list all the ones that do....

Cover Your Assets 

Nov 1, 2004,

By Jeffrey P. Fisher

Do you own any tangible property, such as computers, musical instruments, or a home? These are assets that many of us have and need to protect. Another...

Covering All the Angles 

Nov 1, 2005,

By Brian Smithers

There's no escaping surround sound these days. Music CDs are still being produced in stereo, but the same does not hold true for movies, DVDs, and games....

CPU Recycling Tutorial 

Sep 1, 2002,

By Zack Price

Congratulations you've just bought a brand-new computer! In your enthusiasm over your latest purchase, however, you probably haven't considered what to...

Cramped Quarters 

Apr 1, 2002,

By Gary S. Hall

Audio- (as well as video-) data reduction, also known as data compression, is one of the most important media technologies to come along in recent years....

CREAMWARE AUDIO POWERSAMPLER 2.03 (MAC/WIN) 

Mar 1, 2001,

Eric W. Bell

Hardware and software blend into a DSP-powered sampling system.CreamWare is known for products that combine high-quality DSP-based audio cards with innovative...

CREAMWARE Minimax ASB 

Jan 1, 2007,

By Brian Smithers

The CreamWare Minimax ASB is arguably the best Minimoog emulation available. Its sound is undeniably authentic, and the feel of its controls is closer...

CREAMWARE Noah 

Feb 1, 2004,

By Jim Aikin

CreamWare’s first rackmount synthesizer, the Noah, emulates various synthesizer types depending on the software model you load into it....

CreamWare Pulsar (Win) 

Sep 1, 1999,

Allan Metts

When was the last time you had the opportunity to choose how many filters you wanted on your synth, or the number of envelopes you could use when designing...

Create More Realistic Strings 

Aug 1, 2006,

By Steve Skinner

There are two ways to work with string samples. One is to use them to try to simulate the sound of a live string section. The other is to approach them...

Creating a Multiheaded Computer Beast 

Aug 1, 2004,

Steve Oppenheimer Editor in Chief

Older, slower computers are still useful as virtual-instrument hosts, file servers, CD burners, and office machines. Electronic Musician takes a look at those tasks as well as how to time-synchronize, network, and remote control multiple computers in your studio. ...

CREATING AUDIO-ONLY TITLES FOR DVD-VIDEO 

May 1, 2003,

Gary Hall

As musicians, we usually focus our interests on sound and music, often divorced from any visual program. It seems perfectly natural to us to approach...

CREATING UNIQUE SYNTHS WITH CSOUND IS VIRTUAL CHILD'S PLAY 

Oct 1, 2000,

RICHARD BOULANGER

The Csound programming language is virtually synonymous with "computer music." Musicians all over the world have used it for more than 20 years, and it...

Creative Labs Introduces Lava Producer 

May 1, 2000,

Gino Robair

Creative Labs has just introduced its Lava Producer application ($29.95), available online at www.lava.com. You can use Lava Producer in conjunction with...

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