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BLEEP LABS Thingamagoop 

May 1, 2007,

By Gino Robair

Bleep Labs has taken the lessons learned from the circuit bending craze and put them to good use in a portable instrument that is sure to put a smile on your face....

Blog Is a Four-Letter Word 

Mar 1, 2006,

Steve Oppenheimer Editor in Chief

As I write this, we're preparing to head to Anaheim for the annual Winter NAMM show. Tomorrow, we'll participate in the preshow festivities, including...

Blue Baby Bottle Microphone 

Jun 1, 2002,

By Sean Carberry

In 1992 the sorcerers at Blue secretly designed a line of large-diaphragm condenser microphones so distinctive that they would shock and amaze the audio...

BLUE BLUEBERRY 

Oct 1, 1999,

Myles Boisen

After years of working behind the scenes restoring vintage mics, Baltic Latvian Universal Electronics (BLUE) has stepped into the spotlight as a microphone...

BLUE DRAGONFLY 

Sep 1, 2000,

Brian Knave

This affordable, first-rate mic is a real head turner.Baltic Latvian Universal Electronics (BLUE) received an EM Editors' Choice award earlier this year...

BLUE MICROPHONES 

Sep 1, 2005,

By Rusty Cutchin

Blue Microphones recently introduced another member of the company's innovative and colorful Ball family, which includes the original dynamic Ball (blue)...

BLUE MICROPHONES 8-Ball 

Mar 1, 2005,

By Eli Crews

The latest addition to the Blue Microphone line is the 8-Ball ($279), a large-diaphragm cardioid condenser that resembles its dynamic cousin, the Ball, in shape and size (see Fig. 1). With its spherical black body and shiny logo, the 8-Ball pays tribute to the beloved...

BLUE MICROPHONES Robbie 

Apr 1, 2005,

By Rich Wells

Blue Microphones has always attracted attention with its splashy industrial designs. Products such as the Ball-series dynamics and the Mouse and Dragonfly...

BLUE MICROPHONES The Ball 

Dec 1, 2003,

By Karen Stackpole

The Ball, by Blue Microphones, is a phantom-powered dynamic microphone that was designed to be used on loud instruments, such as amps and percussion....

BLUE SKY ProDesk 2.1 

Nov 1, 2003,

By Nick Batzdorf

The SAT 5 satellite monitor is a biamped two-way speaker with a 5¼-inch woofer and ¾-inch tweeter powered by individual 60W amps. Blue Sky made the cabinet as narrow as possible while still accommodating the abbreviated woofer frame; narrow cabinets are often used to maximize a speaker's horizontal dispersion....

Blue's Kiwi Condenser Microphone 

Feb 1, 2002,

By Brian Knave

One of the challenges EM editors face is determining, from a steady stream of new products, which are most appropriate for readers' needs (and thus, which...

BODY GLOVE Keyboard and Guitar Cases 

Feb 1, 2006,

By Gino Robair

Whether your gear lives in a studio or hits the road with you, instrument cases are a necessity that few musicians want to spend money on. Nevertheless,...

BOSS RT-20 

Aug 1, 2006,

By Nick Peck

The Boss RT-20 Rotary Sound Processor ($299) simulates the sound of the Leslie rotating-speaker cabinet. The Leslie's rich, whirling tremolo is associated...

BOSS BR-8 

Aug 1, 2000,

Steve Broderson

Though it is the "baby" of the Roland disk-based recorder line, the Boss BR-8 is by no means an infant. This digital multitrack boasts many of the features...

BOSS RC-50 Loop Station 

Mar 1, 2007,

By Larry the O

Numerous musical genres employ looping, and numerous hardware and software tools supply looping functionality. One of the latest hardware devices for...

Boss SP-505 Phrase Sampler 

Sep 1, 2002,

By David Battino

Nothing ignites a song like a tasty sound bite or a slamming drum loop. But for many musicians, traditional samplers are too expensive, complex, bulky,...

Boss VF-1 

Oct 1, 2000,

Rick DiFonzo

Amp modeling and effects processing in a little red box.An attractive bright-red unit, the half-rackspace Boss VF-1 multi-effects processor will draw...

BOSSBR-1600CD 

Sep 1, 2004,

By Steve Broderson

The BR-1600CD is Boss's newest portable digital studio, and it's loaded with features that will appeal to a wide range of recordists. The unit offers...

Box of Rain 

Dec 1, 2001,

By Larry the O

There are times when a person may experience something truly and literally incomprehensible that is, something the meaning of which the mind cannot fully...

Brass Tactics 

Nov 1, 2004,

By David Summer

You most often deal with the sonic elements of guitar, keyboard, bass, drums, and vocals in your studio, but what if you were faced with the task of recording...

BRAUNER PHANTOM C 

Jun 1, 2003,

By Myles Boisen

Brauner’s Phantom C hand-built condenser mic is the least-expensive Brauner mic to date — a chance for electronic musicians working in a personal studio to own a boutique transducer....

Breaking Up Is Hard to Do 

Sep 1, 2002,

By Michael A. Aczon

There are four words that should be a reality check for every band that takes on the music industry: the Beatles broke up. Despite all efforts to maintain...

BRIAN MOORE GUITARS iGuitar 8.13 

Mar 1, 2004,

By Mike Levine

Electronic Musician’s review of the Brian Moore iGuitar 8.13. The guitar features a 13-pin pickup, a piezo pickup, and a pair of humbuckers. The 13-pin output allows you to plug into compatible guitar synths such as the Roland GR-33....

Bridging the Gap 

Nov 1, 2002,

By Michael Cooper

One can't help but notice the increasing number of 24-bit, 96 kHz-capable digital audio devices flooding the pro-audio market these days. The unprecedented...

Bring 'Em Back Alive 

Jan 1, 2007,

By Rusty Cutchin

Bring ‘em Back Alive reveals tips and techniques from recording professionals on the best strategies for making live recordings of bands or solo artists, either onstage or in the studio....

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