Most Popular


The EM Poll




browse back issues

Dynamics Processors (hardware)

Feb 1, 2001 12:00 PM, ELECTRONIC MUSICIAN STAFF



         Subscribe in NewsGator Online   Subscribe in Bloglines
 

CURRENT NEWSSTAND ISSUE

Read the full Table of Contents for the issue on sale now! Click here

Subscribe for only $1.84 an issue!

Please tell us about yourself so we can better serve you. Click here to take our user survey.

MixBooks Logo
Life in the Fast Lane

This collection of St.CroixÕs columns was assembled during the two years following his death of cancer in May 2006. Included are many of his most-read columns, as well as personal notes, drawings and photographs.

Click for more books
EM Podcasts

Listen to these latest podcasts and more:
Bela Fleck on recording Jingle All the Way.Go

What's New: software and sound products. Go

eDeals Newsletter for Discounts on Gear

Get First Dibs on Hot Gear Discounts, Manufacturer Close-Outs and Job Opportunities when you sign up to receive eDeals E-newsletter, sent twice a month. Check out an issue get advertising info or subscribe

Waves L2 Ultramaximizer For years, mastering engineers relied on computer-based mastering compressors to maximize a mix's overall level. Of the various software solutions, Waves' L1 Ultramaximizer is an established favorite. In 2000, Waves released its first hardware device, the L2 Ultramaximizer, and a praiseworthy entry it is, too.

Like its software sibling, the L2 performs limiting and normalization without adding coloration. Thanks to Waves' Increased Digital Resolution (IDR) technology, the L2 provides dithering for word-length reduction without audible artifacts, while at the same time bringing low-level information (for example, reverb tails and the room sound) forward in the mix. The L2 lets you work in real time, which makes the it handy for any situation that requires limiting to avoid digital overs, such as recording rough mixes to DAT or CD-R.

Besides the convenience of real-time processing, the L2 offers individual input level control over each channel, 48-bit internal processing, and support for sampling rates up to 96 kHz and word lengths up to 24 bits. You can use both digital outputs simultaneously, letting you master two devices at once. Despite the professional features, setting up and using the L2 is easy.

If you want to fortify your mixes with enough power to compete in the big leagues, the L2 is worth the investment.



Acceptable Use Policy
blog comments powered by Disqus

Get Copyright ClearanceWant to use this article? Click here for options!
© 2009 Penton Media, Inc.

Back to Top