Most Popular


The EM Poll




browse back issues

Digital Audio Workstation (Computer Based)

Jan 1, 2000 12:00 PM, the EM Staff



         Subscribe in NewsGator Online   Subscribe in Bloglines
 

CURRENT NEWSSTAND ISSUE

Read the full Table of Contents for the issue on sale now! Click here

Subscribe for only $1.84 an issue!

Please tell us about yourself so we can better serve you. Click here to take our user survey.

MixBooks Logo
Life in the Fast Lane

This collection of St.CroixÕs columns was assembled during the two years following his death of cancer in May 2006. Included are many of his most-read columns, as well as personal notes, drawings and photographs.

Click for more books
EM Podcasts

Listen to these latest podcasts and more:
Bela Fleck on recording Jingle All the Way.Go

What's New: software and sound products. Go

eDeals Newsletter for Discounts on Gear

Get First Dibs on Hot Gear Discounts, Manufacturer Close-Outs and Job Opportunities when you sign up to receive eDeals E-newsletter, sent twice a month. Check out an issue get advertising info or subscribe

DIGIDESIGN PRO TOOLS/24 MIXPLUS

(Mac/Win; $7,995)

How do you improve on one of the audio industry's favorite digital audio workstations? Triple the processing power of the DSP card. Digidesign did just that by giving Pro Tools/24 Mix three times the processing power of its Pro Tools/24 system. The Editors' Choice Award, however, goes to the Pro Tools/24 Mixplus system, which includes two DSP cards for an even greater amount of processing power. That means you can mix the dozens of tracks of 24-bit, 48 kHz audio that Pro Tools promises while using more plug-ins than ever before.

The Mixplus package includes the Mix Core card, a Mix Farm DSP card, the DigiRack collection of TDM and AudioSuite plug-ins (with dynamics processors, a parametric EQ, and a delay), and Pro Tools 4.x software. (Version 5 should be out by the time you read this.) Of course, the system doesn't come cheap, but you get what you pay for. It can easily handle just about any project that comes along. The feature set is amazing: you get up to 64 channels (depending on how much processing you do) of fully automated mixing, 32 channels of I/O, sync to picture (including QuickTime movies), real-time TDM effects processing, multiple edit playlists for each track, customizable crossfades, graphic editing for each audio parameter, and much more. You will have to work hard to max this system out.

The fact that Pro Tools remains the digital audio workstation of choice for a large number of recording and post-production facilities speaks volumes, and most of the Pro Tools users we know were very eager to upgrade to 24 Mix or Mixplus. It's easily the top new DAW of 1999.



Acceptable Use Policy
blog comments powered by Disqus

Get Copyright ClearanceWant to use this article? Click here for options!
© 2009 Penton Media, Inc.

Back to Top