|
|
You are here:
Electronic Musician »
/hardware
|
Feb 1, 2007,
By Geary Yelton
Griffin Technology iTalk Pro As long as the Apple iPod has been available, iPod owners have wished for an affordable device that could convert their favorite...
|
|
Jan 18, 2007
Arturia announced some big news at NAMM: In addition to unveiling its Roland Jupiter-8 emulation, Jupiter-8V (Mac/Win; $249), the company pulled the curtain on its first hardware synth, the Origin ($2,999)....
|
|
Nov 29, 2006
Alesis is shipping the IO|26 (Mac/Win; $599) and IO|14 (Mac/Win; $499) FireWire Audio/MIDI interfaces, which feature DICE II Jitter Elimination Technology (JET); Cirrus converters; high definition, transformerless mic preamps with NeutriK connectors; and compatibility with most DAW software. ...
|
|
Nov 28, 2006
Apogee Electronics Corporation has updated the Symphony PCI driver with two new features, VBus and Performance Tuning....
|
|
Nov 21, 2006
Apogee Electronics Corporation has announced that its Mini-Me, Mini-DAC, and Mini-MP will be available for $795.00 through authorized dealers and distributors worldwide....
|
|
Nov 7, 2006
Now shipping through Kaysound Imports is the SM Pro Audio M-Patch 2, a compact, desktop/rack-mountable passive volume attenuator and patch control device....
|
|
Nov 1, 2006,
By Geary Yelton
Digidesign Strike Following up on the successful launch of the synthesizer plug-ins Xpand and Hybrid, the Advanced Instrument Research group of Digidesign...
|
|
Oct 1, 2006,
By Geary Yelton
Focusrite Liquid Mix Liquid Mix (Mac, $1,099) is a 32-channel DSP host from Focusrite (www.focusrite.com) that emulates modern and vintage compressors...
|
|
Oct 1, 2006,
By Len Sasso
Native Instruments Kore 1.0.2 is a standalone plug-in host that can turn your laptop or...
|
|
Aug 1, 2004,
By Michael Cooper
The diminutive Roland Micro Cube amplifier models a number of popular guitar amps using Roland’s COSM modeling technology. The Micro Cube weighs a mere 7 pounds, 5 ounces and can operate on six AA alkaline batteries or an AC adaptor....
|
|
Jul 1, 2004,
By Gino Robair
The Auralex Aural-Xpanders are foam pieces that can be used as miniature baffles to reduce the effects of off-axis coloration. ...
|
|
Jun 1, 2004,
Brian Smithers
Electronic Musician reviews the Edirol UA-1000 USB 2.0 audio interface, which features mic preamps, Word Clock, MIDI I/O, 8 channels of analog audio, 8 channels of S/PDIF and ADAT optical I/O....
|
|
Mar 1, 2004,
By Nick Peck
Apogee Mini-Me and Mini-DAC are portable digital interfaces that, when used together, are ideal for recording and playback on the go....
|
|
Feb 1, 2004,
By Gino Robair
The Primera Bravo Disc Publisher is a turnkey device that combines a CD-R duplicator and 4-color printer in one....
|
|
Dec 1, 2003,
By David Battino
With the Ozone, M-Audio has added a recording-friendly audio interface to its popular Oxygen 8 MIDI controller, delivering both audio and MIDI I/O with a single USB connection....
|
|
Nov 1, 2003,
BY BRIAN SMITHERS
FireWire (more formally known as IEEE-1394) was once considered the future of audio interfaces, but it's not anymore. It's the present. FireWire's high-speed...
|
|
Sep 1, 2003,
By Michael Cooper
The AKG K 271 Studio headphones have a closed-back design that isolates your ears from ambient noise and prevents bleed into nearby microphones....
|
|
Sep 1, 2003,
By Jon Chappell
RealTraps makes special panels for evening out the bass frequencies in the personal studio. The panels are easy to hang and work very well....
|
|
Aug 1, 2003,
By Myles Boisen
The Little Labs Red Eye is a great-sounding, well-featured, and very versatile recording tool providing DI, re-amp, and splitter functions...
|
|
May 1, 2003,
By Scot Gresham-Lancaster
The TMC-6 Trigger MIDI Converter is designed for the person who wants to complement an acoustic drum set with electronic sounds or expand the sound palette of an electronic kit....
|
|