Audio Insider
Online Monthly Pass

Register for an Account Forgot your Password?

Most Popular


The EM Poll


pop_quiz_button

browse back issues

Newsletters

emusicianXtra icon
EMSoftware update icon
MET Extra icon
eDeals Newsletter icon


Subscribe to newsletters here...

Tracking Drums

Oct 5, 2005 6:44 PM, By Gino Robair



         Subscribe in NewsGator Online   Subscribe in Bloglines

CURRENT NEWSSTAND ISSUE

Read the full Table of Contents for the issue on sale now! Click here

Subscribe for only $1.84 an issue!

Please tell us about yourself so we can better serve you. Click here to take our user survey.

Personal Studio Series

Mastering Steinberg's Cubase™

This special issue is not only a must-read for users of Cubase™ software, but it also delivers essential information for anyone recording/producing music in a personal-studio.

Click for more
EM Podcasts

Listen to these latest podcasts and more:
Engineer Chuck Ainlay on his mixing techniques. Go

What's New: Sony Creative sound library, Expanse Refill for Reason, more. Go

eDeals Newsletter for Discounts on Gear

Get First Dibs on Hot Gear Discounts, Manufacturer Close-Outs and Job Opportunities when you sign up to receive eDeals E-newsletter, sent twice a month. Check out an issue get advertising info or subscribe

Besides getting good sounds from the drums themselves, there are many technical things to take into account, such as mic and preamp choices, mic placement, room sound, dynamics processing, and so forth. Whether you use one, two, or a dozen mics to record a kit, you need to know the basics, and EM is here to help.

These four EM archive articles not only address the basics behind drum recording, but venture into some esoteric territories as well. No matter what kind of music you make, you will find these articles useful.

Capturing the Kit: Recording Drum Kits
A simple and practical approach to drum recording.
Jul 01, 2004, Electronic Musician, BY Brian Knave
Recording the drum kit can be a major challenge due to the kit's myriad sounds and wide dynamic range. To help make the recording process more manageable, we break it down into four component parts-the drummer, the drums, the recording room, and the recording gear-and present practical advice for getting the most from each.

How to Record a Kick Drum
Tips and techniques for recording a wide variety of bass drums.
Jul 01, 2002, Electronic Musician, By Richard Alan Salz
A tutorial on how to record a kick drum, and how to get the best sound depending on the recording space, drum, heads, tuning, muffling, mics, preamps, and recording medium.

Underground Drum Sounds
Left-field ideas for recording drums.
Jul 01, 2001, Electronic Musician, By Myles Boisen
Myles Boisen discusses the techniques used by creative engineers to get unusual and extreme sounds on legendary underground recordings.

The Old Two and Four
How to re-create six classic snare drum sounds.
Aug 01, 2003, Electronic Musician, By Richard Alan Salz
This article examines some well-known snare-drum backbeats, detailing not only key ingredients that went into making them-particular drums, tunings, playing styles, miking, and processing-but also showing how you can get comparable results in your own personal studio. The point is to expand your bag of tricks, hopefully inspiring you to go the extra mile in your quest to create the perfect snare sound for a given production.

Get Copyright ClearanceWant to use this article? Click here for options!
© 2008 Penton Media, Inc.

Back to Top