Most Popular


The EM Poll




browse back issues

Download of the Month: Discord 2

Sep 1, 2006 12:00 PM, By Len Sasso



         Subscribe in NewsGator Online   Subscribe in Bloglines
 

CURRENT NEWSSTAND ISSUE

Read the full Table of Contents for the issue on sale now! Click here

Subscribe for only $1.84 an issue!

Please tell us about yourself so we can better serve you. Click here to take our user survey.

MixBooks Logo
Life in the Fast Lane

This collection of St.CroixÕs columns was assembled during the two years following his death of cancer in May 2006. Included are many of his most-read columns, as well as personal notes, drawings and photographs.

Click for more books
EM Podcasts

Listen to these latest podcasts and more:
Bela Fleck on recording Jingle All the Way.Go

What's New: software and sound products. Go

eDeals Newsletter for Discounts on Gear

Get First Dibs on Hot Gear Discounts, Manufacturer Close-Outs and Job Opportunities when you sign up to receive eDeals E-newsletter, sent twice a month. Check out an issue get advertising info or subscribe

Discord 2 ($49) is the latest piece of audio-demolition software from Audio Damage (www.audiodamage.com), a partnership between plug-in designer Christopher Randall and DSP wizard Adam Schabtach. With this third-generation upgrade, Discord has evolved from an emulation of the classic Eventide Harmonizer H910 to an advanced, MIDI-aware plug-in with a full range of pitch-shifting and delay capabilities. Discord 2 is available in VST and AU formats for the Mac and VST format for the PC. Despite its sophistication, it is easy to program and comes with a substantial library of presets to get you started (see Web Clip 1).

Discord 2's primary functions are pitch-shifting and delay. It has completely independent signal paths for the right and left channels, with individual controls for all parameters. Dual multiwave LFOs can modulate the amount of pitch-shift, the delay time, and the cutoff frequencies of lowpass and highpass filters at the end of the signal paths. The VST versions offer MIDI Learn capabilities for all parameters. The pitch-shift range is up and down one octave, and you can set the pitch-shift amount in semitones with MIDI Note Numbers between 48 and 72.

Audio Damage's product line includes a variety of other reasonably priced hardware emulations. Phase 2 (Mac/Win, $49) models the Mutron Bi-Phase with a pair of 6-stage phasers that can work in parallel or in series. The 914 Fixed Filter Bank (Mac/Win, $39) replicates the Moog Modular's 914 filter module. Ratshack Reverb (Mac/Win, $34.99) needs no introduction. As its developers put it, “Never before has a vintage effect of such low quality been as painstakingly modeled.” Dubstation (Mac/Win, $39), a very basic feedback-delay line, and BigSeq (Mac/Win, $39), a 16-step gating and filtering sequencer, aren't exact emulations, but they follow the same simplicity-first philosophy of most Audio Damage products.

On the other hand, Ronin (Mac/Win, $69), my personal favorite, is anything but simple. It has dual delay lines with a maximum of 12 seconds of delay, dual multimode resonant filters with continuous morphing between modes, and dual saturators. Two multiwave LFOs and an envelope follower provide the modulation. But Ronin's signal-routing matrix is the mind bender. You can route the right and left input channel to any module, and you can route the output of any module to the input of any other. Failing to consider feedback can lead to a world of hurt, but a little attention to detail yields quite unusual results (see Web Clip 2).



Acceptable Use Policy
blog comments powered by Disqus

Get Copyright ClearanceWant to use this article? Click here for options!
© 2009 Penton Media, Inc.

Back to Top