|
|
You are here:
Electronic Musician »
DAWs/Recorders
View Specs on Popular DAWs/Recorders
|
|
Jun 1, 2006,
By Marty Cutler
Not every musician needs a computer-based DAW with a ton of tracks, instruments, and plug-ins. You might be content to build tracks one at a time with...
|
|
May 1, 2006,
By Mike Levine
Thanks to its state-of-the-art audio-editing features, excellent plug-in support, and quality hardware, Digidesign Pro Tools has become the dominant DAW...
|
|
Apr 1, 2006,
By Jim Aikin
Every digital audio sequencer has its own vibe. For all its power, few of us would describe the monolithic gray Pro Tools interface as fun. FL Studio...
|
|
Apr 1, 2006,
By Gino Robair
In 2001, Digidesign introduced the Mbox, a 2-channel USB audio interface that, for the first time, made the Pro Tools LE system available for under $500....
|
|
Mar 1, 2006,
By Rusty Cutchin
After producing popular entry-level portable digital studios such as the D4 and D1200mkII, and then making a splash at the deep end with the D32XD, Korg...
|
|
Mar 1, 2006,
By Allan Metts
Autumn is a wonderful time. Each year we get cooler weather, football season, colorful leaves, and, of course, a new version of Sonar. As usual, Cakewalk...
|
|
Feb 1, 2006,
By Orren Merton
Most portable audio interfaces are compact and inexpensive, and they offer limited features. With the Traveler, however, MOTU gives the mobile recordist...
|
|
Nov 1, 2005,
By Orren Merton
Line 6 has made some recent improvements to its GuitarPort USB audio interface. First, the company upgraded the unit's software, which serves as its operating...
|
|
Oct 1, 2005,
By Nick Peck
Thanks to the popularity of notebook computers and digital cameras, evolutionary technology has led to new, relatively low-cost products that are extremely...
|
|
Jul 1, 2005,
By Rusty Cutchin
Lexicon, known for its studio-quality outboard delays and reverbs built to withstand the rigors of 24/7 session work, has made its technology available...
|
|
Jun 1, 2005,
By Rich Wells
Home recordists gravitate toward convenient and portable devices that let them get their ideas down quickly and easily. Although the glory days of the...
|
|
Jun 1, 2005,
By Rudy Trubitt
I've found a replacement for my aging portable DAT recorder: the FR-2 from Fostex. The FR-2 is a little larger than the DAT, but it's lighter than it...
|
|
Apr 1, 2005,
By Nick Peck
The Fireface 800 is the most recent audio I/O device to come from RME, a company known for its reliable, high-quality products. Striking a compromise...
|
|
Apr 1, 2005,
By Doug Eisengrein
Hercules, a company known mostly for manufacturing PC video cards, has gotten into the studio interface game. The 16/12 FW ($899) is a FireWire-based,...
|
|
Feb 1, 2005,
By Allan Metts
The developers at Cakewalk don't get much rest: just after I settled into Sonar 3, Sonar 4 arrived at my door. This time around we get comprehensive surround-sound...
|
|
Feb 1, 2005,
By Dennis Miller
The new series of Windows-based digital audio workstations and sampling software from E-mu will turn more than a few heads. With their high-quality specs,...
|
|
Jan 1, 2005,
By Rusty Cutchin
Mackie's Spike powered recording system brings together all the essential add-ons for a basic computer-based recording environment: USB audio-MIDI interface...
|
|
Dec 1, 2004,
By Len Sasso
Ableton has once again knocked the ball out of the park, this time with its Live 4.0 digital audio sequencer. The big news with Live 4.0 is the addition...
|
|
Nov 17, 2004
MOTU has introduced the Traveler (Mac/Win; $895), a bus-powered FireWire audio interface featuring 20 inputs and 22 outputs, and support for 192 kHz recording....
|
|
Nov 1, 2004,
By Bob O'Donnell
Twenty-five years after the introduction of its original Portastudio, Tascam has unveiled the 2488 Digital Portastudio, the latest and most complete incarnation...
|
|